‘All day, all night, the body intervenes…’

‘I rode on a red bus, inside a clot of blood.’ Janet Frame on learning of Sylvia Plath’s death.

Grief does not get much deeper than this. To find words to convey the enormity of a sensation that travels without words in our blood streams in the marrow of our bones, red hot and throbbing.

I’d rather not think too hard about my own griefs. The way the blood trickled down my leg as the tiny speck of life I had been carrying for ten weeks ebbed away into nothingness. Blood again.

I’d rather not think about the bloodless way the analysts dismissed me from their training because as one said, I did not have the stuff it takes to do this work to analyse and understand another in the way all analysts believed understanding ran.

In the blood again. Constitutional, he said. Some have it. Most don’t. Rather like a vocation to the priesthood or convent.

God is calling you. You may not want to hear the call but there are not many he calls. Or as the saying goes, there are many who are called but few are chosen. And I, too, was among those rejected.

I’d rather not think about my ageing body, the way the blood sludges through my veins less usefully these days.

The way my mind cannot accommodate all the massive griefs of this wide world caught up in conflicts I hoped might one day end, only to realise they most likely never will.

‘All day, all night, the body intervenes. The creature within can only gaze through the pane –smudged or rosy – it cannot separate off from the body.’ Virginia Woolf On Being Ill.

The body, the earth, this overused, abused creature within all of us who cannot withstand the rigours we put it through and then in time must rejoin the cosmos.

The other day I went to Ivanhoe for one of my writer’s group meetings at the Banyule library in a room we were able to use free of charge for ninety minutes until other people arrived and ordered us out.

I had arrived early and waited outside in the courtyard watching steams of kids from Ivanhoe Grammar rock up for some type of event. Younger ones with parents and others alone or with friends. Their blue blazers resplendent against the blue sky. Their youth and optimism seemingly well placed in face of the life that lies ahead of them. 

Inside the library, split into multiple levels with the usual stacks of books, and cubby holes in which people can hide away, there was also a small gallery. A friend and I visited after our meeting to view a few painters from the Heidelberg School on loan from the National Gallery.

I have never been one for art shows, for gazing at paintings from a distance much as I admire the work of artists and wish that I too could paint like several of my siblings and a couple of my children.

How is it when my grandchildren ask me to draw a dinosaur, dog or train I feel paralysed into indecision?  And incompetence.

Like most children there must have been a time when I could draw as well as the rest of them, but that raw talent that comes with an artist’s eye evades me now.

So, I reserve my palette for words. Words I can splatter onto the page to form patterns and images that might make sense to the reader.

As Zadie Smith urges, I try my best to write without desire. Here I am an artist on their first draft. Not much is taking shape here. Nothing I can pinpoint as the heart of my essay, the thick red vein running through carrying the blood of my success, an image that others can make sense of.

I lunched with my friend after our visit to the gallery. She ate avocado and mushrooms on toast and I enjoyed fruit bread with lashings of butter. Cups of tea and conversation. Endless conversation, the life blood of my existence. If I did not have conversation I think I might die.

Later in the afternoon I shared another conversation with another friend with whom our blood does not run so freely.

We sit on the edge of estrangement for reasons I cannot fully fathom.

Why do I keep on trying? She wants friendship of the treacle variety, warm and friendly and ever so sweet.

Friends must be tolerant of one another, but to my mind friends must also be able to argue the toss. To get their disagreements out into the open and battle out their wounds. Survive them together to come to an understanding even if it is one of tolerating our differences.

Empathy is a matter of imagination. To put yourself into the shoes if another. To see you as they might see you and to help them to see you as you might see yourself. It’s treacherous territory.

Over the course of my long lifetime, I have enjoyed many friendships. Those glorious connections with another when the call coming through sets my heart a little faster at the prospect of connection.

I have also watched as friendships died. Some times through geographical distance when people move away for a change of scene or occupation.

When I left school I imagined the friends I forged in those final school years would stay close forever. But not so. At university where over four years I carved other friendships with more progressive friends. I thought they too would last forever. 

The boys from St Bernards, a close group. They still meet. I see them together on Facebook, but I am on the periphery a memory for some but for most invisible. Never quite fitting in. 

And then in my profession over the years in one association and other friendships that meant we shared food in one another’s houses. They too came and went like the seasons only these have not returned.

When we meet as we occasionally might years later, the spark that once set our hearts blazing is weak. And I wonder how it could have been that once in my life I valued your company and now our friendship is over.

When I first met the man I came to marry, and to whom I remain married, a man with whom I have endured many if the undulations that come in any long-lasting connection, he told me words to the effect: ‘Blood is thicker than water.’ 

We both valued our family connection. But over time we formed our own family and the families that once firmed us although still present in our lives serve as bedrock to our beating hearts, but they are not the heart itself.

The blood that courses through our veins has shifted its course.

And when one of us leaves the other behind, the one left behind will ride the red bus like Janet Frame caught in that crimson blood clot, the congealed blood of a wound that will never heal, like the loss of the baby I never saw come to life.

There are some losses we can never overcome. They are part of who we become, and we die with them clasped firmly in arms. To be grieved for in our turn by those we might leave behind. Others who must climb the steps into that red bus, a congealed clot of blood. 

Know your history

‘Time is coming for us,’ Claire Kilroy writes, its ruthless relentless charge, and before you know it, time is flying and we’re left behind or plunged headlong into eternity.

I lack imagination unless directed there by someone else. I cannot formulate stories made up from my unconscious. My stories are root-bound and tied to my own experience, as clear as my memories allow. 

‘To know your history is to carry all your pieces, whole and shattered, through the wilderness. And feel their weight.’ Sabrina Orah Mark.

To feel the weight of the past is to go into those memories and measure them for size and significance.

Place takes me there first. Place followed by objects. The faces of people come last. And so it is, I’m on the banks of the Yarra River well before they tidied up the bridge on Grange Road near the paper works. Tall red brick towers that once used water from the river in their paper production. 

Gone now to make room for unit after unit, perched on top of one another like a set of grey green blocks from a kid’s game of Minecraft, each one indistinguishable from the next, like rows of cars in a parking lot. Think folk singer, Pete Seeger’s Little Boxes:

You could walk down to the river’s edge over a grassy tree laden hill from Bourke Road in Kew and see cows on the other side grazing. Someone must have owned the hinterland then unless a staff member from the government saw fit to employ cows for lawn mowing duties. 

Best of all, I remember once submerged in the river on hots days, the brown water and slime underfoot, mixed in with fallen twigs disintegrating below the surface and the occasional rock. The yuk feeling of the unknown underfoot and my fear something dangerous might be lurking there. 

It was not the sensation of sediment between my toes, but the uncertainty of what made it into being that troubled me. Even then I needed to have some idea of what I was walking on. 

I had read about people who could walk over glowing coals simply by mesmerising their minds and walking lightly, to avoid burns. Like Jesus walking on water, only Jesus would not have been burned, had he opened his mind to the dangers. He might simply have sunk and drowned.

Recently, I read an essay from Robert Grossmark on his work with a man addicted to watching kiddie porn. The man tried to resist his addiction, aware of its dangers, but when he was lost in this pornography world he felt elated in ways other experiences could not allow. 

Something of his addiction to the pleasure of imagining these small children getting pleasure out of being sexually abused. He might well have been abused himself and it took many years before an elder sister came to him in adulthood and apologised for tormenting him sexually when he was four or five. 

The clincher, Grossmark observes, was his own experience growing up with separated parents, each of whom, but more especially his mother spent time openly in the company of lovers. His childhood was sexualised to within an inch of its life. 

Sexualisation of things can torment you when you’re a child. I know this well, though perhaps not to the degree of this man. 

My father saw sex in everything. And when I consider his history and all the shattered pieces he carried, I can only imagine what it was like in his childhood home. His father archivist the Dutch registry of births, deaths and weddings by day and at night, head of his household.

This father changed religions as often as you might change your underwear and at one time was enamoured of the freedom offered by the Mormons. The freedom to take on any number of women as pseudo wives. 

He included his younger daughter in this, as he might well have included his other daughter as he might well have included my father in some way. 

There was a time when I was a younger adult and first learned of my grandfather’s abuse of his children that I wondered, was he keeping a type of brothel.

The historian Barbara Van Balen helped me with my research when I could not trawl the archives myself. She discovered my Opa, Jan Christiaan Schoonevelt was imprisoned in Haarlem in a jail my mother called the parapluie – it was shaped like an umbrella – on charges of ontucht, which is old Dutch for licentiousness, profligacy and could have been incest, only they did not use this term in their records. Not from what Van Balen could see.

And my grandmother was imprisoned for a lesser period on charges of embezzlement. She stole something. When I asked my mother, what this might be, she speculated on coupons for food. 

During the war people were hungry. Hungry and desperate and sexually depraved in my father’s family history, and all this before I was born.

What do you do with shattered knowledge like this? The stuff that comes in bits and pieces without an imagination to stitch it together to create a story. How do you make sense of your life? 

Not all little boxes look just the same.