The Grim Reaper

‘Where all troubled souls go…the thousand yard stare.’ Magda Szubansky

Reading Szubansky’s memoir, Reckoning, so many resonances emerge from my childhood.

Magda spent her adolescence in Croydon while I spent mine in Cheltenham, And although her parents sent her to Sienna in Camberwell and mine to Vaucluse in Richmond, there were similarities. Catholic Convents for girls, for starters.

Magda is younger than me by a decade, and yet our lives cross. Every time in the book she makes a trip to the Camberwell Junction, my heart sings. This is one of the lovely things about reading, the way it can jog your memories for similarities and even for differences.

I remember the era of the sharpies, as Magda describes their hell-bent reign of terror, but I never encountered any sharpies except to look at on trains or the street. Magda tried to become one, but the point at which I resonate most is when she describes falling in love with Sister Agnes, a nun who took to issuing her charges work. While their heads were bent and she took to staring, the thousand yard stare. 

Young Magda, whose burgeoning lesbianism was only then awakening, stared at the nun. Sister Agnes seemed sad – left the convent sometime later. Magda surmises to marry. While my favourite nun left the convent, too, and she entered a relationship with a woman. 

Magda, like me wondered about the nuns and why they chose this life. Their marriage to Jesus. He was such a bigamist if he endorsed all these marriages, the young Magda concludes but no one ever says as much. It was okay in my day to be married to Jesus, even to wear ‘His’ ring on the correct ring finger.

I did not suffer the agony of recognising I was gay, not like Magda, but other agonies of adolescence followed me around, as they do for most young people. 

The torture of searching for and never quite finding your identity. And Magda’s father, a man obsessed with tennis and sport to exorcize what his daughter describes as his ‘killing muscle’, his extreme competitiveness, to kill or be killed, given his formative experiences during the Second World War, as a young assassin appointed by the resistance in Poland to deal with those who were collaborating with the Nazis. 

What a man. Different from my father but both tormented by the wrath of war. As others like Ruth Clare who writes about her experience as the daughter of a Vietnam Military Veteran in her memoir, Enemy. These men, especially Ruth’s father who were cruel beyond measure because of war trauma. It wrecks families, some more so than others.

I understand today Magda is suffering a rare form of cancer that sounds likely to be fatal and it saddens me to think this bright light in our world, the woman who played …in Babe, the story of a pig, should leave us soon, or maybe not. Magda’s father had cancer, too, and he survived for over five years after diagnosis and was ultimately considered cured. The same might happen for her.

This morning in my dreams I have flickers of memory many people in my dream had cancer. And I feared it might be a sign.

When I was a child the advertisement on television with their Grim Reaper words, ‘A lump or thickening in the breast or elsewhere could be an early sign…’. And thoughts of this monster crawling under your skin, a lumpy presence that like a tick or ring worm or lice might burrow away, spreading its malevolence, haunted me day and night.

At one time, I could not sleep for any twitch in my stomach, leaving me convinced I had cancer of the stomach. Even as our mother insisted our lot enjoyed high levels of immunity. From where I do not know, but she believed it would preserve us all. Even as her mother in her 69th year developed stomach cancer, during her one trip to Australia.

When my oma returned to Holland after a year away helping my mother with her little ones, including me and my younger sister, she went to the doctor. It was too late. She died not long after. 

A memory stays with me. My mother at the telephone, cradled on a wall stand on the wall of the log cabin house in which we lived. In tears. She had just received news of her mother’s death and could not afford to go to the funeral. 

No one expected it of her. Such pain. To miss out on the level of closure a funeral offers. Ceremonies designed around the concept of self-care. Of allowing ourselves to grieve and not bypass the necessity of acknowledging our loss. Otherwise, the loss, like cancer, eats away at us and won’t let go. 

Born out of the blue

In sewing class, Sister Ursula told us purple and yellow signified an unhappy childhood. We should steer clear of those colours side by side in any of our work. I chose blue, for safety. To put the nuns off the scent. 

Besides which, whose childhood isn’t unhappy? The hazards of being small and vulnerable in a world populated by insensitive adults who fail to understand your needs.

Not to say, childhood must inherently be so. This time of wonder and newness where every moment seems full of promise. And at the same time, a disappointment. 

My ancient computer, nearly ten years old, refuses to cooperate with me. It’s time for an update and much as I baulk at the cost and the hassle of acclimatising myself to a new set of images – the icons and processes change every time I upgrade – I must do so and soon.

The last of my children has left home and with them they have taken their technological expertise, which I draw on often. It panics me to think they may not be able to help me into the future. 

And the words of a song float through my mind…I’m not Lisa. My name is Julie. Lisa left you years ago. My eyes are not blue, but mine won’t leave you, till the sunlight falls on your face.

But my eyes are blue. Mine and all my family. Blue eyes of our Germanic/Irish origins if I extend beyond my family of origin to that of my children through their father.

I was born out of the blue, one early summer day before the agapanthus had risen in tall stalks ahead of the rest. 

On the train home one night late from school after umpire practice, a stranger began a conversation with me. 

‘You talk too fast, he said. He had been eavesdropping on a conversation between me and my sister. A nondescript man, in dark suit, white shirt and tie. 

‘Excuse me,’ I said, and my words held multiple meanings. 

An apology, a sarcastic response and a request for clarity. 

‘Just listen to you,’ the man said. ‘One hundred words to the minute.’ 

We reached our station and left the train, my ears smarting from the slap of his words. What did he mean? 

My sister was not troubled. Maybe she agreed with him. I did not ask. 

When we reached home, I slung my school bag across the floor to my bedroom door and walked past the loungeroom to get to the kitchen and a snack before dinner. My father sat in his usual place by the window and my mother opposite. He had not yet started to drink, or if he had, he had not yet drunk enough brandy to turn him from a quiet man into the raving raging lunatic he often  became.

‘A man on the train said I talk too fast,’ I said to my mother. I said it in the form of a question with a rising inflection: Do you agree? what do you think? I directed it towards my mother, but my father responded. 

‘Just like a schizophrenic,’ he said, and my mind did cartwheels. 

I knew this word from movies where people were sent off to tumbled down blue stone mansions in the middle of some bleak countryside and left there because no one else knew how to handle this condition called schizophrenia, which struck me as a fancy name for mad.

Was I mad? What was mad?

I didn’t feel mad, not crazy mad but I was angry at my dad for making things worse. For muddling me even more. 

I could not see myself through the eyes of others and this man on the train had set me thinking, as I am thinking now, about my beloved writing group. 

How could I have read it so wrong?