Finish your shit

‘Be not inhospitable to strangers lest they be angels in
I heard these words on the radio recently.  Someone was describing a book shop in France, called
Shakespeare and Co, and these words among others are inscribed on one of its walls. 
The gist of the quote may have had its origins in the
bible; I can’t say for sure, but the meaning captures me. For one thing the
level of compassion called for – be not inhospitable – hooks onto a degree of self interest,
self interest that’s hinted at in the words ‘lest they be angels in disguise’.
Is it that we do well not to harm angels because they look after us or
because they can become avenging angels?
I had a guardian angel as a child.  She hovered behind me whenever I became
aware of myself. 
There was a laneway over the street in Wentworth Avenue that
ran along the back of a line of shops on Canterbury Road.  In my memory my guardian angel appears along this lane way – for no other reason than I associate people with places.  And this is the place that pops into my mind when I think of my angel.  
My guardian
angel belongs to the blue cobblestone secrecy of a lane that backed onto
concreted driveways where shopkeepers kept their cars and their bicycles.  
The back of the shops looked to me then
as they appear today like the rear end of people, not something we spend too
long admiring.  The rear view is never so appealing as the front view with its shop windows and inviting
This laneway also provided what seemed like a short cut to
the park that filled the dip of Canterbury Road beside the bridge and between
the railway tracks and the station.  
In this park as a small child I encountered many a paedophile, only I
did not think of them as paedophiles then.  To me and my younger sister they were simply ‘dirty old men’, somewhat harmless to my mind then and not always old, whom we did our best to
Fear was not part of the equation in the outside world;
fear belonged at home. 
I have been searching for a new theme to preoccupy my
mind.  A new approach to the world
that will sweep me up in much the way I have been preoccupied these past
ten years with the concerns of my earlier life.  
Nothing comes. 
I keep drawing a blank. 
There are too many incidentals, too many possible leads.  I cannot go in any one direction
without something else calling me over. 
Recently, I read a list of advice for writers.  There is so much advice for writers on
the Internet, but this one appealed because the writer emphasised the need to
follow your own ideas first and foremost. 
What works for one will not necessarily work for you.  
Towards the end of the list the writer
included these words over and over:
‘Finish your shit.  Finish your shit.  Finish your shit.’
These words have haunted me since.  
I’ve posted this image before, a gargoyle from the Shillington schoolhouse in England.  He seems to be urging some sort of response.  
I am a master of unfinished
business.  I can rationalize that
this is the nature of life; everything remains essentially unfinished until you
are dead and even then memories live on in others. 
Events from your life leach into the lives of
others, the next generation ad infinitum, and the cycle keeps repeating
But I cannot get far with such rationalizations, for I know
I have a tendency to begin and then to abandon.  I have the greatest difficulty of all with endings.  I can begin a story and move along
comfortably until a plea for closure, or a call for some sort of epiphany pulls
me up.
You must find a reason for what you are saying.  There must be a point to this story, a
reason for the telling, subtle perhaps, subtle preferably, but nevertheless
obvious enough to offer satisfaction.
And as in all my stories, as in all my blogposts, I wind
up almost mid sentence, lost for words.  

Public or private?

I saw the picture of a still born baby of twenty weeks on
someone’s blog yesterday.  The
folks at Mamamia put it up in the interests of helping people who have
suffered a miscarriage.  
It shocked
me and clearly, not only me. The editors at Mamamia equivocated about putting
up the pictures as well. 
There’s something devastating and surreal about the sight
of such a tiny underdeveloped baby, one who should still be inside his mother’s
womb and alive, not outside in the world before-term and dead.
I do not oppose the publication of such images on line
because something tells me the motive behind their publication is not one of inducing
gratuitous shock.  It’s more an effort to help people share the load of their grief.
So many horrible things are otherwise veiled in secrecy
and hidden from the public view.  People must bear the worst of it alone. 
My own miscarriage happened when my baby was only ten
weeks into life.  There was no
foetus to be seen.  It was no less
traumatic for me for that, but to get to twenty weeks and lose a baby would
have to be worse.  The further into
a pregnancy, the more alive that baby becomes in one’s imagination, and to lose
a baby full term must be worst of all. 
But why compare these events?   They are all ghastly in their own right.  The thing about this woman publishing
the photos from her still born baby’s brief stay in the world is meaningful in a world where many would prefer not to know the details.  While others search for them.  
I had an email recently from a woman who read some of my writing and
cannot understand my motives for writing about the traumatic events from my
childhood and my attempts now as an adult to understand them through my writing.  She believes my musings
belong in a diary or journal.  They
are not for publication.
Clearly, there’s a whole range of views about what is fit
for the public view and what should stay private.  
As one who comes from an incestuous family, I lean towards
more exposure of these things in the public view because too much secrecy can
be dangerous.  Witness Edward Snowden and other whistleblowers of renown.
I also recognise the wish I felt when I saw that unborn
baby not yet ready for the world, my wish to turn away, and not to see
something so disturbing, so raw, so unprocessed. 
And then
there’s all this derision for those who take selfies and put them online,
particularly, the pretty young women. 
Narcissism, the critics say. 
On the other hand, it seems it’s okay for any other person to take a
self portrait, including centuries of artists who have recreated their
self images as one of least difficult ways to get a model and so practice their
Narcissism or artistry?  Catharsis or gratuitous shocking of unwitting and unwilling others?  
Who knows?  As far as I can tell, the jury is still undecided.