The fragile frame of religion

Do you know what’s worse than seeing your mother when you look in the mirror? 

Seeing your father. 

That’s what happens when I leave my hair soaked in conditioner and slicked back like a seal. Only my hair is not black like a seal’s any more than my father’s hair was black. His moved from fair to grey. Mine also began fair. Now it’s anything but. 

In his old age my father took to letting his hair grow long and wild, as young folks did in the sixties and seventies. He let it grow long, he said in protest against all those years when he was forced to trot into the city in a suit and tie. 

He wore his hair long and Jesus-like as a mark of freedom, once he had given up the alcohol that swallowed up most of his child-rearing days. Long flowing hair that left him looking like an ageing hippie. A Fritz Perls look-a-like. A man who tried to make up for the lost years by building doll’s houses for his granddaughters, and selecting wood off-cuts to create picture frames.

The doll house my father built.

 He once gave me one, a framed rooster in browns and red. He took the image from a magazine, a shiny print of someone else’s painting that looked sad, when exposed years later, after the frame fell apart.

In the days of dolls houses and picture frames, my father turned back to religion. He joined a bible study class with my mother and together the two joined others from Our Lady of Assumption parish to explore the hidden meanings of the bible. 

At his funeral, a group of women from this group took up the best part of a pew towards the back of the church. As my brothers carried the coffin out from the church down the long aisle these women sang wildly and flung around tambourines in a folkie rendition of Turn turn turn.  Someone whispered to me they were charismatics, those devout folks who reckoned they could speak in tongues. I recognised the tune. Not the babble of a direct line to God. Maybe that came later. 

My father’s life was over, and these women celebrated his life, a life of which they had little idea, as they only met him in his final years after he had turned the corner of his crippling behaviour and found God. Again. 

My father grew up with God. In his childhood, the story goes, he was baptised in multiple religions, the Dutch Reformed church, among others and wound up with the Mormons. Perhaps it was the Mormons who gave him the idea it was okay to have more than one wife. That gave him the idea he could take on any woman, including his daughters, as his own to possess sexually. 

Perhaps he read it somewhere in the bible in contrast to the injunction ‘Thou shalt not covet thy neighbour’s wife’. Somewhere he read the fundamentalist clap trap that reckons women belong to their husbands, the stuff that enables the more fundamentalist among us to consider it okay to coerce their wives into submission. Perhaps. 

Catholicism seemed a safe religion to enter, especially as it enabled him to marry my mother in the days when mixed marriages were frowned upon. In the days where sameness and silos of like-minded souls in fundamentalist religions, each of which argued theirs was the one true faith, prevailed. 

During the war when he was a captain in the Dutch army my father shared a tent at one time with a chaplain, or so my muddled memory reminds me. He spent much of his time negotiating with God to keep him alive, along with his fellow soldiers. It must have been a tough time. Like so many other veterans of war, my father rarely spoke about it and certainly not to his daughters. 

My youngest brother told me that towards the end of his life our father sometimes regaled him with stories of war, but mostly he would not even let the TV series Combat flicker on our television screen for more than the shorts before the order came to turn it off.

I write in long sentences. My sentences too long in these days of the quick grab. The quick bite. The ease of communication. I write clause after clause. Too many, too fast. And cringe at the thought that future generations will lament. The tediousness of my generation’s love of too many words. Sentences that go on forever.

 The past is a foreign country, a bad neighbourhood as Anne Lamott writes of her mind, one she tries not to visit too often. 

The past is my playground. I visit often. More often these days when so much is behind me now. So much to pluck from the stirrings of memory. The smell of a flower, the hint of autumn in the air, the first stirrings of blossom buds on the trees. 

I walk past a child in a pram, look back to see the face of the child flanked by the four walks of their mobile bed and look for that newness of smile, that promise of a life ahead. That sense that rushes at me from my own first memories. A time when everything was new and filled with the ecstasy of the sublime. 

I did not ascribe this to Jesus until I went to school and the angels took over as the owners of everything beautiful. The angels and saints as god’s ambassadors. But before then, the word ‘nature’ crept into my vocabulary. It was nature, my sister told me, that left me with a sense of awe at the greenness of the grass, the black centre of a sun yellow daisy whose hairy stalk we plucked and spilt carefully with our fingernails. A wide enough slit to allow us to thread another daisy stem through in the creation of a daisy chain, you could perch on top of your head for as long as the stalks held firm. 

And the sad thing when I think back to those days when the awe of religion crept into my experience, my father had abandoned his. 

I’m glad that he did. If he had remined devout throughout his life, I might not have seen that there were other ways to view the majesty of life outside the fragile frame of religion, a frame so fragile like a daisy chair in crumbles under pressure 

And my father’s hair hung in loose waves down the sides of his face, his beard a place where birds might once have nested were he such a man who might let other vulnerable creatures come so close. But he was not. And when I see him in my own face in the mirror I am in awe that my whole being rests on the existence of this man who is no more of this earth beyond the soil in which he lies buried. 

The mystery of being

Whether she embroidered the blouse when it was already made or covered the fabric in flowers before it became the blouse, I will never know. Whether she traced the pattern first onto the fabric by hand or used a ready-made one designed by someone else and ironed on to follow with her stitches, I will never know. 

My mother wore the blouse when she was a young woman full of hope and confidence. She wore it in the warmer weather or on colder days under a cardigan. Tulip shaped, the blouse came in at the waist and held the texture of many wavering stitches throughout. In reds and yellows and greens, a swirling pattern that evoked the majesty of medieval palaces and the simplicity of the countryside. The majesty of flowers.

My mother on the left, mid 1940s on a rooftop with family and friends, enjoying the summer sun. The blouse in view.

The one item of clothing she kept from her younger days, this blouse travelled across the sea from the Netherlands to Australia and wound up in the back of her wardrobe where my older sister in later years found and squirrelled it away, for fear of moths eating into the fine stitches. Moths or whatever other thread eating creatures might invade this once glorious blouse

For a long time my sister had plans to resurrect the blouse, to bring it back to life, fit for purpose, but when she looked closely, she saw the tears in the fabric, the frayed edges along the central seams, were too far gone to turn it into a blouse once more. She would need to cut away too much fabric before the blouse could fit even a small child, if it was to stay as it was intended. 

She decided instead to cut out panels of the embroidered material and surround them in gold embossed picture frames as a memento of our mother. 

She had enough for several such pictures and distributed them among those siblings who were prepared to pay the cost of the framing. 

It seems a strange piece of artwork to hang from my wall. Like a relic of the cloth Veronica used when she approached Jesus on his way to crucifixion. Veronica took her white shawl and wiped the sweat and blood off Jesus’s brow and the image of his torn and weary face was imprinted there for evermore.  The famed shroud of Turin. 

When I was a child I loved this story. I can’t say why now. It has lost its thrill to intrigue me. I doubt the authenticity of the actual shroud hanging somewhere in Italy, but the idea of miracles stays with me, muted. 

My mother believed in miracles. My mother believed that bad could be made good, miraculously. Through prayer, through the intervention of the saints. 

I shared this belief as a child. The hopeful optimism that bad things could become good in an instant because God or the saints wanted it so. 

I have no truck with miracles anymore, though I have great respect for mystery. For the unfathomable events that happen every day, the rich complexity of them all. If we explore these mysteries for a long time, they might  become clearer to us, but we might never in our lifetimes get to the bottom of the whys and how. 

The stuff of evolution, the stuff of why we’re here, the stuff of whether we human beings are alone in the universe or whether there are others whom we can anthropomorphise into beings like us, including plants and animals, or whether we are as unique as we like to think we are. 

The mystery of being.