Where is she now?

This morning on my way home from
dropping my daughter off at her work, I travelled back through local streets.  In front of a block of housing commission
flats at the end of Munroe Street I saw a temporary sign pitched on the nature
strip like a billboard, ‘Humanist Society of Victoria’, with its bold blue logo. 
It gave me a jolt.  Such an unlikely place for such a sign. 
Somewhere inside one of the flats I
imagined a small group of mostly older people sitting around with cups of tea
or coffee in a cluttered lounge room discussing all matters humanist. 
And this, against the backdrop of a
radio program to which I listened in the car, where a woman described her
husband’s struggle with lung cancer. 
This woman coped by sending out weekly emails to friends and family to
keep them in the loop in all things ‘Russell’. 
The emails helped Russell’s wife to
sort through her own thinking. 
I arrived home before the program
ended and so I’m left with snatches of thought. 
The woman’s emails, the few I heard were lyrical and well written.  She put in details that many other emails
might lack. 
She described the hospital smells
and the way her husband grunted at her when she reminded him to take his salt/sugar
preparation in order to keep his electrolytes in balance between chemo
episodes. 
After he had snapped at her one time to many, she asked, ‘Do
you talk to the nurses this way?’
And he said, ‘No. I don’t love the
nurses.’
 A poignant reminder of how the people we love
can at times treat us like shit because they love us and know we love them in
return. 
In one of her other emails, Russell’s wife tells the story of an elderly homeless woman who sits on street
corners with a fluffy white dog in a trolley and asks for money.  If you tell this woman you have no money to
give she rails against you, as if you are selfish and rotten. 
One day the woman of the white
fluffy dog set upon the woman of the emails with such a tirade that the woman
of the emails said to her,
‘My husband has cancer.’
And the woman of the fluffy dog
responded,
‘I don’t even have a husband, you
bitch.’
It puts me in mind of another story
I’ve been following on Jennifer Wilson’s blog where she writes about a love
affair gone wrong. 
I had noticed that Jennifer had posted
less of late.  Her ex-husband had died
and I figured maybe she was finding the grief too much.  But it turns out there was more to Jennifer’s
absence, including the beginning of an affair that had sent her
spiralling. 
It ended badly – as affairs so often
do – when the wife of the man with whom Jennifer was having the affair, found
out. 
The secret was no more and the man
elected to drop Jennifer for his wife.
A common enough story.
Stories, stories everywhere and my
head reels. 
I changed the screen image on my
computer last night and for a minute considered putting up a picture of my
mother some months before she died. 

There on my computer screen I saw
my mother’s eyes and they glared at me. 
It felt like a reprimand. 
How dare you, she seemed to say,
how dare you go on living while I am no more? 
How dare you still have blood
flowing through your veins, a heart beat that keeps the blood pumping and
breath in you lungs, while I am dead?
I wanted to apologise to her for
this, and for the way I might use my fantasy of my mother in my writing. 
While she was alive, I did not feel
that my mother was a mother I could rail against, a mother I could treat badly,
which is not to say there weren’t times when I did treat her badly.
My mother of the fragile and low
disposition that required she believe in goodness in everyone and shunned all
that she considered wrong.
I wish now my mother had approached
her life with a greater awareness of its complexity, that we could have talked
about all things humanist, like the people at the end of Monroe Street, rather
than avoid conflict and discussion.  
My mother
instead fell back on her religion and her belief in God and the wall came up
and she shut me out, and shut out her doubts. 
And where is she now?
Looking down on me from heaven, and
saying I told you so?  I’m up here with
him and having a ball. 

Or is she no more in all but her spirit
and my memory of her, this woman who feared to go into the unknown and into
doubt.

I’d rather not

I nearly didn’t tell you.  I’ve had the strange pleasure of winning a
literary award last week.  And ever since
I’ve had this impulse to play it down, while at the same time I want to shout
it to the world.
I won.
At last someone recognises something
in my writing that’s worth, not only a trophy and a certificate, but also a
$2000.00 cheque.  On top of which the
organisers of the first ever Lane Cove literary awards flew me to Sydney and
provided accommodation over night at the Stamford hotel near the airport so I
could make an early get away the next morning. 
There were four other awards, besides
mine for memoir, two for local writers, one for short story and another for poetry. 
It is the first time I have arrived
at an airport alone to be greeted, not by family or friends, but by a man
holding up a cardboard sign with my name on it. 
The man who held up the sign was
one of the librarians who had been given the task of collecting me from the
airport because the other librarians were busy organising the event.  We travelled through busy Sydney streets to
the Lane Cove library and all the way I wondered whether it was really
happening. 
Was this me?  A prize winner or a fraud? 
They must have it wrong. 
All the while as the two judges read
out the names of the short listed, first in the short story category and then
in memoir, I wondered whether they might end up calling out another name,
not mine.
The evening flutters by, drowned
out of my memory by my tiredness the next day. 
I needed to wake at 4.30 am in order to be ready for my 6 o’clock flight
back to Melbourne. 
I discovered then something I had not
realised before on the plane to Sydney in a book about compulsions and eating disorders.  
I discovered that one of the reasons that people
might choose to starve themselves to death is, not only to do with trying to get
some control over their lives and suppress their desires, but also to do with competition, and with their refusal
to compete.
The idea is that the person who tries
to take control over her life by getting control of her eating, does so by
working hard to convince herself that she has no such desire for food, or
nourishment, or even for love. 
It gets tangled up in sexuality as
well.  The two great life forces, food
and sex, bound together as we know biologically, determinants for personal
survival but also survival of our species. 
They’re also bound up in pleasure.
Adam Phillips re-tells the story of
a man named Bartleby, Bartleby a scrivener in Wall Street in the 1800s, who for some unfathomable reason
when his boss asks him to undertake the work for which he is employed, says
‘I would prefer not to.’
Herman Melville wrote the story in 1853 and
for years people have struggled to understand what it’s about. 
Bartleby takes up the position of one
who goes on strike.  
I refuse to
participate.  
I will not be drawn in to whatever
it is you have arranged for me. 
I will assert myself by my refusal, even if it
kills me. 
These ideas stay with me.  I’m trying them out, rolling them around
inside my mouth as if savouring a new flavour, a new texture, a new sensation
and it pleases me to see things from this angle. 
There is a reason behind starving
oneself to death.  
There is a reason
behind someone’s refusal to participate and compete.  
There is a reason behind what on the surface
seems like the maddest of behaviours. 
And I am getting one step closer to
understanding it. 
How then can I link the competition
of awards night with my own competitive impulses and my contradictory desires
to water them down? 
So many times I have gone to say about
this award:
It’s no big deal. 
How many times have I told myself
it’s not one of the big awards?  It’s
more a beginner’s award. 
How many times do I compete with my
own success as if I cannot bear to allow it? 
Is this what women do, and more so
than men?
I’ve a sneaking feeling that’s
true. 
Women are used to hiding in the
curtains. 
To be on centre stage for more than
a few minutes can be overwhelming. 
It’s easier to be like Bartleby and
rejoice in resistance.
I’d rather not.