Author: Elisabeth

All afternoon I couldn’t get the images from the film of Atonement out of my head, the war and the death and the significance of a child’s lie.

The man beside me in the picture theatre belched three times, not once and seemingly not accidentally. I did not like to sit directly beside him but our seats were numbered 12 and 13. When I looked at the tickets as we walked to our seats, I thought we had an unlucky number , but I dismissed it. Besides, as luck would have it, my sister sat in seat 13, I would have had it but moved to fill the gap between myself and this chap in seat 12. I led the way into the theatre with my sister close behind.

I was conscious of this man from the start. He was alone. He sat arms folded over his huge belly. He seemed an unlikely man to see at a film like this – rough looking, but it was dark by the time we arrived and I couldn’t get a close look.

While the credits were rolling I remembered the story a friend once told me about her experience as a small child. She had gone to the movies with several of her siblings who sat in a row in the picture theatre. She was on the end. When the lights went out and the film began a man, a stranger sitting beside her put his hands into her pants and started to masturbate her. She was struck dumb with terror, unable to speak or move.

What would I have done, I wondered? Would I scream, make a fuss? Tell my sister we’re leaving.

I thought what a good thing it was that I was sitting beside this man, and not my sister, that I could manage this ordeal better than she. This might be more traumatic for her.

My sister might be like the little girl I have just described, paralyzed, unable to say no. Not me, I thought. I would put a stop to it.

Or would I? Helen Garner describes it in her book, The First Stone, her own paralysis in the face of sexual assault, unwanted sexual advances, from a masseur in one instance, from another person in authority in the other.

This memory rose out of the film based on Ian McEwan’s book Atonement.

Why wouldn’t it, sitting behind that old man in the picture theatre? He was not old. He was more or less my age, but in my little girl’s mind he was a ‘dirty old man’, given the belching burping noises he made, seemingly oblivious to them. I didn’t even sense him wince by way of apology.

What was an man like him doing in a movie like this? He may have appreciated it. When the end of the film arrived with my sister sniffling beside me and the names of celebrities and workers running down the screen and the beautiful background music fanning the sadness, this man could not wait to get out of the theatre.

And Briony Tallis’s words from Atonement ring in my ears still.

‘How can a novelist achieve atonement when, with her absolute power of deciding outcomes, she is also God? There is no one, no entity or higher form that she can appeal to, or be reconciled with, or that can forgive her. There is nothing outside her. In her imagination she has set the limits and the terms. No atonement for God, or novelists, even if they atheists. It was always an impossible task, and that was precisely the point. The attempt was all.’ (371)

It’s a relief to get to today, after last night’s party. Fifty or sixty fifteen and sixteen year olds celebrating a joint birthday for my youngest daughter and one of her girlfriends. As it turned out they were all well behaved. No one drank too much, though they seemed to drink quite a bit, only one girl crying in the bathroom and that towards the end of the night and something to do with her feeling snubbed by a boyfriend rather than through too much to drink. For all my anxiety.

I have been so anxious of late. It comes across in waves. I can usually locate its source: last night the party, at other times anything to do with my professional association, but it seems to wash over me more frequently these days. I worry incessantly about the dog’s well being. I long for a front screen door to reduce the possibility that someone might inadvertently leave the front door open and the dog will take off down the street, onto the road and under a car. I worry still that he might be able to scale the fence. He has not done it yet, so it is unlikely he can, but still I worry. I worry I worry I worry.

The backyard is a mess, empty drink cans, bottles, caps, shards of broken glass and cigarette butts everywhere. Although I had set up the rubbish bin strategically in one corner of the garden, it seems no one paid it attention. They dropped their cans as they stood. A few of my daughter’s friends have stayed overnight. She and they can tidy up later. I shall resist the temptation myself. For once, acknowledging that it’s not my mess and that it will be good for the girls, for my daughter and her visitors, to take responsibility for the aftermath of their party.

In two weeks time and one weekend I will be traveling to the Blue Mountains for a week of writing at Varuna, self funded. I did not apply for a mentorship, I simply decided that I needed time to do nothing but write. It does not happen here and even though I am a master at distracting myself, it is the demands of others that make it worse, not just my work and family but the other little things that crop up daily.

I also have to stop blogging as obsessively as I have been for the last few weeks. It takes up too much time and too much head space. I get into these conversations and tap away response after response. I scroll down and read other people’s blogs and other people’s comments. I love it. Such companionship, however virtual, but it takes away the nooks and crannies of time I would otherwise have used for research and reading, for emails.

Lately everything I write and everything that I read over that I have written in the past seems stale, like dry bread. Inedible. I am not happy with this. I do not feel able to engage with new ideas.

Perhaps it is the solipsistic nature of my preoccupation with all things autobiographical that leads me to this impasse. Occasionally on my blog I hear from the odd person who is critical of my interest in autobiography.

In academia there are many people who like to study autobiography from a theoretical perspective, the Sidonie Smiths and Julia Watsons of the literary world, but few of these people embark upon their own autobiographical writing, instead they examine the memoirs of others.

It seems a safer bet, I suspect. The theorists can analyse and think through ideas. They can question the memoirist’s perspectives and motives, they can challenge the level of truthfulness and otherwise, consider the extent to which the writer may have abided by or broken Paul John Eakin’s rules for life writing. They might even offer a personal reflection on their own experience of reading this other person’s personal account of their journey, but they do not offer their own journey, their own story, their travels or thoughts about their own lives. They leave that to us the autobiographers.

All of this makes it sound as though I have written a memoir. I have, but it remains unfinished? I use bits of it from time to time as a way of reinforcing my essays, the ones I write on theoretical aspects related to autobiography, to theories on life writing, the nature of shame and trauma, to the thorny old divide between fact and fiction, but I do not seek to complete this work. I am unhappy with it. I wrote it when I started again to write in my late thirties and it is clumsy in places. It does not sing to me.

I need to do more research, but for now I prefer to write and read other people’s blogs.