Objects as feminine

Last night in my dreams my mother had another baby, a tiny boy whom she cradled on her lap and referred to by the feminine pronoun in the way my mother often gave the feminine pronoun to objects.

‘She is heavy,’ she said when it came to lifting a pot full of spilt peas before the water had been steamed off, or ‘she has a leak in the roof’ when she talked about our house.

Most objects were feminine. And her choice of whether objects should be feminine, or masculine seemed as random as when I learned French and could not remember which words took the feminine article and which not. 

My mother in my dream was sixty-six years old, too old to have babies but somehow she did.

Her tenth living child and she was proud of this baby and delighted to re-enter the early phases of motherhood again. 

My father was in my dream too, the two of them seated outside on a bench after I had taken my ping pong ball and begun to bounce it around the concreted back yard of a neighbour’s house. 

I did not know my neighbours and at first was hesitant to play in this prohibited territory but one of the neighbour’s sons came out and we talked and soon after his brother, an older boy, also in year eleven like me, exchanged ideas about our subjects at school.

This family was foreign from Poland or Czechoslovakia and foreign smells wafted beyond their door. 

In time other members of the family rocked up and now I was no longer shy. The sons made me welcome and the mother when she came along, also nursing a baby, seemed curious about me but not hostile at this interloper. 

I told them about my mother’s baby. That we were disappointed this baby was not a girl. Now top heavy with boys.

This stuff about gender dogs me everywhere I go. The way delightful boys can grow into rageful and devouring men who swallow pornography as though it’s popcorn and think nothing of the way the people who make the porn portray women as willing subjects, keen to be abused in whatever way the masculine fantasy runs.

As if pornography feeds the fantasy of men as strong and in control, especially when they feel small, fearful, and inadequate.

I am too close to the surface of this writing, too top heavy with the weight of pain that ripples through my veins like a poison.

In childhood, when I found The Truth newspaper discarded in the laundry after my father had finished reading it, with pictures of topless women and huge engulfing breasts on the front page, I shuddered.

Like those calendars in mechanics garages where my father left his car for repairs. There among the oil stains and greasy fingered workers with their dark overalls and tussled hair, the men whose fingernails were blacker than mine, attached bare breasted women to the calendars that hung off the walls near the cash register as though these naked women were part of the process of repairing cars.

In much the same way as the beautiful but scantily clothed women draped their bodies over the shiny hoods of brand-new cars advertised on the television. 

And this the world into which I was born. A world where women were demeaned as sexual objects. And today it continues.

‘We’re all children when we sleep,’ Miranda July

Even my father in his hospital tall bed in St Vincent’s in the city after a burst of pleurisy, a harbinger of his last days with emphysema, looked vulnerable. A far cry from the monster who towered over us when we were little.

He with his long feet, encased in black leather in my memory though there were times when they were naked, those long-elongated toes with tufts of red hair on each phalange, his wide hands, that were good for slaps, his stubbled chin, so awful to brush against when bedtime came. 

There he was in the white sheets of his hospital bed full of apologies on the visit I made one day after work. ‘I have been bad to you children,’ he said.

I wanted none if it. I wanted only that I could get through this visit without too much eye contact, too much meaning transiting between us, too much of anything. The strange reversal when children grow up and confront the vulnerability of their parents. 

As July reckons, ‘All of us are children when we sleep’.

And so it was I gazed at my mother when she was laid out on her final hospital bed, eyes closed, body still, soon to leave her body, her heart stopped in its regular rhythm.

One day in the last three weeks before she died she tried to usher me away. The slightest hand gesture, an expression on her face, a glint in those tired eyes that said, leave me alone. Then she closed them as if by shutting out light she could shut me out too. 

But I stayed. I held back, close to the door, out of her sight, and watched as the forced eye closure became involuntary and my mother slipped back into sleep. I watched her face, the wrinkles smoothed into the pillow under the weight of gravity. And imagined that she did not want any of us to see her like this. 

Like Susan Sontag railing against death but allowing those photographs so that people could see, not only the bright side of this life, her life, her amazing ability with words, her bright sharp eyes, but the drag on her body as cancer took over.

Since my mother died I have started to feel the cold in ways I never did before.  As if her presence kept my body a couple of degrees warmer and her absence becomes a cold chill through my bones.  

I knew it even before she went, that her death would leave me older by at least ten years, at least by the feel of it.  

Over time this sensation has settled but the loss remains, along with the cold. I shall never feel again the natural warmth of my childhood metabolism, the way even on cold days, underdressed in shorts and t-shirt, I did not notice the outside temperature, warmed by the way I felt inside, warmed by the presence of my mother.