Breasts, Brains and Cold Sores

Today is the sixth week since I broke my leg. It is fast becoming my leg again. I can bend it effortlessly though not as far back as I once could. I am not sure I could sit on it yet. I can bend well within a ninety degree angle, though not much further. I have enough movement in my knee to be able to drive my car again. An automatic. My healthy right leg does all the work.

It is still an ordeal of sorts to get into and out of the car but I can now do it unaided. I hobble to the front door, release one crutch and lean it there beside the car, I open the driver’s door, and then toss in my crutches over onto the passenger side. Finally I slide myself into the driver’s seat all the time careful not to twist my bung leg too much at an angle so as to disrupt the bone. Once behind the wheel, I am mobile again, an independent woman in her car.

I have almost stopped worrying that the bone might move. I think it is held in for good now, but still I must take care not to bear weight on my left leg yet, much less to fall or I might not so much displace the bone as fracture it all over again.

Someone told me – in the blogosphere as I recall – that you cannot break a bone in the exact same spot again, that the scar material of bones becomes fixed like the most rigid of concrete, while somewhere else I read that once broken, a bone is more vulnerable, that the fracture points of bones are far more brittle.

I do not know the truth of this. I do not understand the science. I rather enjoyed the idea that once broken, never broken again, like once bitten twice shy, once hurt, never open again, but this is not so perhaps. Points of vulnerability become even more vulnerable.

We have returned for a dose of bitter winter weather again this weekend, with much of the State of Victoria on flood alert. This after over ten years of drought. The dams have moved from being slightly over quarter full a little over a year ago to almost half full today.

Half filled dams are a bonus. I do not remember in my lifetime a moment when the dams were almost full. Half full is about as much as we dare hope for. But then again I rely on memory and my limited knowledge here.

I have only started to attend to the state of the dams in recent years. When I was young and felt more omnipotent than I do now I did not bother with concerns over the state of the land, though I can always remember a terrible fear during the bushfire season even as we did not live close to the bush.

Bush fires are a feature of every Australian’s consciousness. They begin early summer and erupt unpredictably one after another till the end of the hot weather. They are one of the reasons I could not bear to live in bushland.

To worry all summer long about the weather and those hot fire ban days, which arrive with increasing regularity in this country, would throw me out.

There are so many things over which I have no control, weather being one of them, I could not bear to be daily anxious about what the weather might bring during bushfire season.

When I was young, my other uncontrolled worry was the arrival of cold sores on my face. When I was young I might have copped a cold sore almost monthly. Someone explained to me early in the piece that once you have suffered with cold sores you have them for life.

Cold sores are caused by a virus which lives in your lip. Usually it sleeps there and gives you no trouble, but the minute something goes wrong for you, it flares up like a bushfire.

The cold sore virus is linked to my emotions, like the handle of a tap. Become upset by something and the handle turns. It can even be an upset of which my mind might not be aware, though not my body. My body knows more than my conscious mind, but my unconscious mind drives the other parts of my mind and body or so I believed as a ten year old trying to fight off the inevitable but uncertain arrival of cold sores.

They start as a tingle in your lip and turn into a watery blister that swells to what feels from the inside when you scrape it with your tongue to be the size of a cricket ball. In the mirror this blister stage looks nowhere as bad as the next stage after the blister bursts, usually a large blister or a series of little blisters clustered together.

When I was a chid there was an ointment my mother sometimes bought from the chemist called Stoxil. I was not the only one in my family who copped cold sores. The sooner you applied the Stoxil the more likely you were to beat the virus, or so the writing on the side of the Stoxil tube said. I never had the ointment on hand to test this theory out. My mother, if she bought it, bought it after the event.

Once a cold sore took hold on my lip it was there for up to ten days or more. After the blister burst it became a wide spreading and throbbing red welt that over stretched the edge of my lips and to my mind made me look even more ugly than I imagined myself to be when I was a child, uglier even than the ugliest child in my classroom.

In my family the theory followed that the oldest were the ugliest, growing more beautiful down the line. The youngest girl and boy were the most beautiful. To compensate for this, the reverse applied to brains.

The oldest were the smartest and the youngest were the dumbest. This put me, sixth in line, in the invidious position of having neither brains nor beauty, right here near the middle. I figured in my position, one below the middle, my cleverness won over my appearance if only by a muddling amount.

I was not smart at school, as Mother Mary John in grade six testified after I failed mental arithmetic.
‘I thought you were bad,’ she said, when she handed back my exercise book covered in crosses, ‘but not that bad.’

Mental arithmetic troubled me by its name, mental. Mental with its links to mind, and numbers and to cold sores.

There was a direct line from somewhere in my brain to the place in my lip where the cold sore virus lived. When I was thirteen, I worried about the line for weeks before I became bridesmaid at my second oldest brother’s wedding. I was in between dress sizes and the dressmaker my sister-in-law-to-be had appointed complained to her that people like me were the worst to make dresses for. We were neither child nor woman.

If I had copped a cold sore on my brother’s wedding day, then not only would I be this hybrid creature who needed a bra that had so much padding inside the cups that my brothers laughed the first time they saw me lined up on the steps of the church before the wedding, I would also be ugly.

I recognised my brothers’ sneers. They knew my body was fake. I knew my body was fake, but the dressmaker had insisted there would be no point in making a dress that fitted my exact size at the time. Within weeks my breasts might erupt just like a cold sore and, given that she had started to make the dress at least three months before the event, she needed to be sure she could accommodate all eruptions.

Breasts, brains and cold sores, they go together for me in an uneasy sequence. I could not control them. I could not control how much my brain might hold in of the times table I rote learned on weekends in readiness for Monday morning tests when we lined up in the class room and took turns to recite the tables one after the other.

My surname began with the letter ‘S’. I was always to the end of the line and the end of the line was where the hardest sums landed – the seven times eight type questions, which so often evaded me; the nine times six.

Even now I can feel a prickle in my lip as I remember how the impossible sum tripped the point in my brain that pulled the cord that sent the signal down to the virus in my lip and told it to wake up and get back to work.

To fail mental arithmetic not only showed up on my school report at the end of term, it showed up on my face and everyone could see, how dumb and ugly I was, even when my sister-in-law-to-be had dressed me up in a canary yellow silk ball gown that fell all the way to my feet and was topped off by two enormous bosoms that were not my own.

Eruptions came all to easily in those days. Perhaps it accounts today for why I make such terrible mistakes and can never quite manage to conceal them.

Dog Babies 2.

Last night I could not sleep for worrying what I might say to Jim from The Truth About Lies, given his lengthy and generous comment on my recent post, ‘Dog Babies’.

Jim has not said that I have cheated, rather I have created false expectations in this post. False expectations, because for the last several weeks I have written about my broken leg and then one day I decide to write a piece that is ‘semi-fictional’, and people cannot detect as much. They take it for gospel truth and when I go to pains to tell them they have it wrong, that they must not take it too seriously, then I am challenged.

What is it with the written word?

I do not want the facts alone to be judged. It is the writing I care about. I hope people judge my writing as a story, more than that they judge me, or the characters in my story. Nor do I want people to commiserate with me. I had rather they commiserate with my character who often times is me, but also represents an aspect of me, even with a broken leg.

But when readers read my narrator as pure me, how then can I respond, other than to say thankyou for their kind thoughts, when they fret for me?

I would prefer that readers view my writing as thoughts about ideas and events and writing, as well as about characters, and not so much about me as a person, more about me as a narrator. This seems reasonable given that we all know that the Internet represents us in certain ways, and that we are not always who we seem. We have multiple aspects to our identities.

I fear for the judgements about ‘my friend’, in this piece. My friend’s words are accurate in so far as my memory allows, but the issue is not one of my friend, it is my narrator self who should be judged and is that not something to ponder on?

My arguments seem thin. They have merit I hope, but even so, should I warn people before they read? – This you are about to take in is ‘autobiographical fiction’.

Why must we always warn people about the nature of what it is they are about to read? Are there not clues enough in the writing? If someone reads a piece of fiction and believes it to be true then so be it. Likewise, if someone reads a piece of nonfiction and believes it to be untrue, so what?

I am not talking newspaper reports here. And even then, if someone employs reportage-type techniques in their writing and weaves in a thread of fiction, can that not stand as well?

Cannot the writing be judged for itself? A piece of writing that must have some truth as in authenticity to be believed and to be considered plausible, but need not be ‘true’ as a statement of fact. And if it is not true as a statement of fact, is it necessary for people to feel affronted.

Or is it, as one of my supervisors has suggested recently: some readers might feel they have squandered their empathy on a narrator who no longer deserves it because she is faithless? She has not told the truth.

I describe myself as an autobiographer largely because I want people to recognise that in telling my story, I use details from my life, but at the same time I am a writer who actively constructs the story.

We all do this to some extent when we tell our stories. The story may in essence be ‘truthful’, but simultaneously the events and people described in it are selective.

The artistry lies in the details that we elect to include and those we omit. If we look from one perspective, we see one aspect of the event. From another it looks completely different.

When I write from my child self, my adult perspective jars, and vice versa, but both perspectives exist and many more besides. Similarly, if I write when I am feeling despondent, my writing takes on a different quality than were I to write at the height of great joy.

Most likely, if I were ebullient, I would not have the urge to write. My negative emotions most often cause me to want to write as a means of overcoming them.

And given that there are many times when I feel despondent, or angry, or jealous, or frustrated or sad, the writing comes more easily much of the time, but at the same time it reflects particular mind states that do not show the whole or the ‘truth’ of me, the person – as if any such ‘truth’ or whole person exists. They show far more about the truth of my narrative self.

So when people address their comments to me the person, as in the instance of ‘Dog Babies’, I feel I must relieve them in some way.

I do not want them to think of me, Elisabeth, in her unhappy state of life with an unhappy dog. I want them to float around in their minds, to resonate with or against the narrator, Elisabeth, and her unhappy dog.

We need to suspend judgement when we read, and with fiction it comes more easily it would seem than with non-fiction. I am sensitive to the notion of forewarning my readers that this then is a piece of ‘partial fiction’, which in itself is a construction.

I could say that everything I write is a construction. The amount of fictionalising might differ but I do not offer reportage, except perhaps in my comments and even then in my comments I do not speak the ‘absolute truth’.

I’ve written many an essay on the topics of truth in nonfiction and I am weary with it. I do not want the truth seekers to get me wrong, but let’s face it, we all of us construct scenarios in our writing, in our art, in our photography, in our poetry that reflect aspects of our lives, our personalities, our many selves, but these are aspects only.

We do not present the ‘truth’. There is no such thing, only a sense that masquerades as ‘truth’ and can make us feel on safer ground, but the ‘truth’ is we do not know this for fact. Maybe truthfulness is a better notion, but even then we enter shaky ground.

In the end, I opt for emotional truth. That to me is the essence.

Enough, enough, I say. I have written out my angst.