‘My task which I am trying to achieve is, by the power of the written word to make you hear, to make you feel – it is, before all, to make you see.’ Joseph Conrad

To see things, you have not seen before. Or if you have noticed them before, to see them anew, with fresh eyes. To open your mind to other possibilities.

The possibilities of hope. Not so much optimism, which as Rebecca Solnit writes arise not from the position of people believing all be fine who then kick back and wait for it all to be fine, but from a hope full of possibility.

As Solnit writes, ‘we have a responsibility to try to realise them, and not to realise the worst possibilities.’

Even as sometimes it looks as though we’re headed there.

On this rain drenched day when the drips on the plastic covering that protects the newspaper which waits out front for collection by the people in this house who love to read their news at the start of each day, is a beginning. 

Dear Elisabeth

You take a leaf from Adrienne Rich’s book of poems and try to write letters to yourself to flush out the secrets that hide there in the back of your mind refusing to dislodge, so concealed by the detritus of the present moment of the day ahead

And if you can’t get to them you dig back further into the dusty corners and drag out an old memory. It leads you into the past, that foreign country which you once remembered with a child’s clear eye. Now it grows hazy.

You long for the days to come where memories of the past will creep on you with all the clarity of the moment it first happened. You can see it happening with your husband. This man who has locked away so many cruel secrets of the things that were done to him, we could only detect them in his occasional outbursts of rage. Now they come thick and fast and they threaten to overwhelm him. He hears the falling apart of Yeats poem. When the falcon cannot hear the falconer. 

He can no longer hoodwink himself that those events are gone. They trickle back with all the ferocity of what I imagine the falcon sees without its hood. A rabbit scurrying across a field.

Food for survival. But for my husband these memories turn him into the rabbit not the falcon, and he cowers under bushes fearing for his life.

The terror of the abused child. Why then in my dreams did three posh looking schoolboys ring my doorbell while I was home alone and insist they be allowed to move into my house? They stalked down to the kitchen living area and made themselves at home, while I, terrified, ran out to the street and tried to find someone in a passing car who might stop and dial triple zero. Cars stopped, seemed concerned for me, but no one could manage the simple task of calling the police. 

So often in my dreams I’m calling the police. The police to recuse me from these intruders. Who were in some ways harmless enough. This dream, the last of the morning, morphed into another when the schoolboys finally left and were replaced by another group of older men and a woman who were like the mafia in their accents and appearance. They parked their cars in my front garden and talked about moving into my house for a time. And again, I’m out on the street trying to attract help from someone to call the police.

I long for the sound of the police siren. Someone who will come along and arrest these intruders who have taken over my space such I do not feel safe in my own house. And I am terrified once more until I wake up.

This dream is a prelude to next week when my husband is away for two nights and I will be alone in this big house, a thing which rarely happens. Something I dread much as I try to remain stoical and not let others know of my fears.

I tell myself they are a residue of my childhood. Those times of terror with my father. He still stalks my mind when I am all alone at night. When every sound, every creak of every floorboard, the hiss of wind in the trees, the screech of night bats can terrify me into a fear I am not after all alone, but some malevolent something or someone is present who wants to hurt me. Who wants to take over my body. Insert his penis into my delicate insides and I cannot sleep for fear of the glint of a knife blade in the dark, a hand across my mouth to silence my screams, which can never come out in my dreams. And I run for the front door and out onto the street where I try to flag down passing cars desperate for help.

This is a recurring dream. The need to get out of my house to escape the intruder who is most often a man who wants to take me over. Or rob me of what few valuables I own or defile my space with his stench. To make my place no longer a haven.

Already I anticipate these nights, when I will leave on the lights that spill onto the back garden and the front so that the house is not shrouded in darkness, which I prefer when I feel safe. When I feel unsafe my preference is for darkness turned off into light everywhere so I can see what I am up against.

Like a child who fears the dark. And I marvel and the people I know, men and women alike, who live alone and do not hold such fears. They who can spend each night in the solitude and comfort of their beds. They do not fear every night for their lives against some unseen menace that visits me in dreams. The residue of a child spent in terror. 

And so, I sometimes imagine a life to come living in a community of like-minded souls, where we each have separate rooms, but are close by one another. Where we are safe and no one will venture past the front doors because the place is kept secure and there is no reason for any of the figures in my dreams to slip through my front door and invade my body and space. 

Home alone 2

Last night, home alone, I disliked the way my mind slipped into thoughts of danger as soon as darkness descended, rather like a small child afraid of the dark.

I lit up the backyard as if I was having a party and this way did not notice the black hole of darkness at the rear of the garden, the place most frightening to me. 

Dangers lurk there, hidden from view in the back near the fence among the overgrown monstera and watsonias. There behind the bay tree that houses several families of possums with their incessant noises at night. The dogs hurtle out there when let out for a pee. They are not afraid of the dark, but the younger dog reacts to every unknown sound as if an intruder is about to burst in. 

Last night was no exception. Only the younger dog was worse. Perhaps being at home alone with only one other human made her wary of the noises coming from the street outside. She also set her big sister dog off. And every time they barked I had to check the street for signs of the dark shadow of a man who was about to launch at me, though no such man materialised.

I do not suffer such fears when others from my family are at home. When I am not alone. 

I met a woman once whose marriage was in trouble because she could not bear that her husband, who travelled for his job, went away on frequent overnight trips, and left her alone. They both considered this fear a function of some childhood trauma, but they were neither of them compassionate towards her distress. Both she and her husband thought she should get over it. As I would like to get over it, but it’s not so easy.

To begin there are the memories of night-time terrors when a peeping Tom’s face appeared at my bedroom window. I was ten and had just crawled into bed when my eyes tilted towards the uncovered window. The light was still on as I was waiting for my sister to come to bed when I picked up the pinkness of a round face of a man who stared into the room as if he was looking for something. I was frozen in terror. The face disappeared in seconds, and I ran to the lounge room to alert my brothers who ran out through the back lane behind our house. They chased someone up the street, but he never materialised.

I had imagined this time at home alone might be peaceful, but the dogs were restless and there was no one else to pick up the slack of their endless desire for interaction. They wanted to play, or walk, or cuddle up close and I wanted the alone time to wander into the recesses of my thoughts where new ideas might emerge. 

And then there are my dreams. So many over the years, of intruders, men who break through the door. And always this sense I do not know their intentions, but they mean to harm me. 

There is a German word nachträglich. Roughly translated, it means ‘afterwardsness’, or in French après coup. Academics of the psychoanalytic variety use it to refer to the way in which we refashion memories as we think back over them and can attribute sexual meaning to events from the past we once thought innocent. 

Those delightfully long German words can be intimidating for those of us who can’t master much language beyond English. What must such words be like for German speakers who also employ slang and like to shorten their words to get into that human impulse towards ease of communication. 

My mind is top heavy with random thoughts. A dream that left me breathless in the middle of the night when I stood outside a now retired colleague’s house and wanted desperately to see him again. He was busy at work with others and as I stood outside in the dark I became deranged, rather as the character Jed Parry in Ian McEwan’s Enduring Love, becomes obsessed with the idea that he has received a sign from God that an almost stranger, in the form of the book’s narrator Joe Rose, is in love with him. Joe who loves Clarissa with a passion fit to burst. Both intelligent people from Oxford. 

The book reeks of the same atmosphere as books written by people like Margaret Drabble, all those years ago. A British sensibility. A style of writing riddled with complexity of meaning, interlaced with the meandering thoughts of central characters. AS Byatt’s women and men, and I feel inadequate to the task of writing, even as I have read so many books that have a different flavour. 

In Enduring Love Ian McEwan even offers a potted view of history through his character’s perspective. This man Joe is a rationalist, in love with logic and science, as distinct from his beloved Clarissa who teaches literature and poets like John Keats. She reckons Joe’s rationality makes him an innocent. 

Innocent of what? Of awareness that people are more complex than the dictates of science allow. At one point in his internal reverie, Joe laments the absence of storytelling from science today, and yet he harangues Freud and psychoanalysis for their unprovable ways of thinking. 

Everything must be rational, Joe thinks as he watches – almost in slow motion – the drama of a small boy trapped in a run-away hot air balloon. His grandfather has lost control of the balloon and several men from around the countryside, including Joe, on a reunion picnic with Clarissa, rush to catch hold of the anchor ropes to try to pin it down. Even with the weight of four men holding it and a small boy in its basket, the balloon rises, caught on an air drift. 

As the balloon continues to rise, one by one the men let go of their grip on the ropes just in time to fall safely, until the last man cannot hold any longer. Too late for him. The balloon is by then too far from the ground and when John Logan lets go, he plunges to his death. A hero, we are led to believe, until we meet his wife, Jean later. She reckons her husband is no hero. Instead, she believes he was hell bent proving himself to a be a strong man in front of his secret lover, who had stayed hidden in the trees below as the balloon floated away. John Logan and his lover were also out for a picnic. 

The story is full of twists and turns. They centre on the accident and how a glance from our narrator becomes the point where Jed Parry’s delusion is sparked into his belief that Joe is secretly in love with him. Jed it turns out suffers from a delusional disorder called De Clerambault’s syndrome, named after a French psychiatrist in 1921. 

I’m intrigued by the way McEwan plays around with someone else’s madness, albeit among fictional characters. But to me he underplays the complexity of what it means to be so overwhelmed by a fixed belief in mutual desire, even when not reciprocated. 

I’ve yet to get to the end of this story, but I can see the ways in which the slightest decision , however seemingly innocent, can have far reaching consequences beyond our wildest dreams. 

Especially, when it comes to the craziness of love. As complex as a cobweb.