Month: October 2011

My mother is an alcoholic

I could not understand what we were doing there. These dark draughty halls that you entered though equally dark corridors, the windows covered with thick drapes that scarcely let in any light from the setting sun. We had arrived straight after school. No time to get out of our uniforms. No time to do anything but drop our bags and my sister had us back on the bus, onto the train and into the city.

‘Room 6A,’ my sister said over to herself as she led us though corridor after corridors checking at each door for the right number. I knew we must have found it when we came to a room whose door was open, wide open such that we could not even see the number and filled with people.

I say filled, half filled perhaps, people seated in chairs, mostly young people, and children my age, lined up in rows, each with their backs to us as we walked in behind them and took our places in the last few chairs still vacant.

I could not understand what I was doing there, the youngest of my four siblings to come along. I had not thought to ask my sister why we were there and what we had come for. We would be safe with her and my brothers sat on either side of me their knobbly knees white at each bend.

‘Welcome,’ a woman said to the room and people stopped their chatter and looked to her expectantly. ‘I see we have a few newcomers.’ All eyes turned to the back to look at us. They looked at us with inquisitive eyes, no smiles more curiosity as if to say, and what brings you here, what are you here for?

I would not have answered such a question if anyone had directed it to me. At that moment I could not understand what I was doing there.

‘We have quite a deal of business to get through tonight,’ the woman said. All eyes turned back to face her and we were left once again facing a montage of backs, hunched shoulders, cardigans draped over chairs, and the hush of expectation. ‘We might start with your stories. Damien, would you like to start?’

There was the scraping of a chair against the hard parquetry and a boy not much older than my older sister stood beside the woman in front and looked at us with a nervous expression on his face. He looked as though he had been caught unawares, as though he was wholly unprepared for this position which he had now taken up in front of us in the draughty room above the clocks at Flinders Street station, but he cleared his throat to speak.

My name is Damien,’ he said. ‘My mother is an alcoholic.’ Damien told us then about his life as one of three children, born to different fathers and each living each day with a mother who drank all day long and in between drinking she slept or ranted. ‘Sometimes she hits us,’ Damien said, ‘but it doesn’t bother me much any more. She’s not strong, and now I’m bigger I just push her away. But the two little ones get scared. And she used to hurt me bad when I was little. She used to make me cry.’

The Mad Hatter’s Tea Party

There is a pattern to today’s date when written in short hand form, 11 10 11, that appeals to me. Numerically challenged though I may be, I can still enjoy patterns among numbers, in fact when I see them as they apply to the day’s date it gives me a delicious feeling, as if it hints at the possibility that today will be a good day.

A good day for a four year old grandson’s birthday, a good day for standing in a park filled with friends, among indigenous plants and grasses, within the inner city, and soaking up the first of the sun as it makes its way out from behind the clouds of yesterday’s rain.

Speaking of yesterday, I went to a workshop on creative dreaming. The contents of the workshop belong to the workshop but it’s safe for me to say I found the day ‘liberating’.

That’s what they say isn’t it? That something can be liberating. That something can free you from your earlier preconceptions, from previous assumptions about your world, from old stereotypes and leave you in a new place.

There were nine of us in this group, a telling number for me. Anytime I am in a group of nine I am back with my eight siblings, but this group to me was all the more remarkable because it consisted of six men and only three women, including one of the facilitators.

In honour of my new found and clumsy determination to break up the text with images, I include a photo my family of origin before my youngest brother is born, including my mother and minus my father, whom I imagine took the photo.

Usually the groups to which I belong in the literary and psychological world are dominated by women, with maybe one or two men, if you’re lucky.

I have not been in such a male dominated group for as many years as I can remember, perhaps not since I was young within my family where my five brothers and father outweighed we four girls and our then mouse-like mother.

My brothers, I suspect, would not consider that our mother is mouse like, though to me in those days she was.

In this workshop we explored the creative potential of shared dreams, dreams people brought into the room, mostly remembered from the night before, which they offered as a sort of oral space, against which others might bounce thoughts from their own dreams or other ideas, from music, from poetry, from memory, from the technological world, from whatever may have occurred to them.

After the morning’s session we were left to our own devices with Texta colours and butcher paper and sequins and glue and magazines for cut outs and collages and scissors, of course, and one man brought his guitar with the help of which he composed a song, and another wrote a poem, and others drew images that on the surface of it may have seemed obscure, however arresting, but under our freewheeling, emotional and associative group eyes they all came to life as filled with meaning.

It was a day riddled with uncertainly, beyond the basic framework of group activity times. There were no rules, there was no demand that we intellectualise, that we interpret meanings, that we outsmart one another with our wit and cleverness.

It was not a therapy group. It was not a writing group. It was not a reading group. It was a group such as I have never been in before. Non-competitive, in so far as such is possible.

I come from a long history of ‘sophisticated’ therapeutic groups where from memory the tension is high and members often wait to pronounce judgement on one another’s crazy thoughts, feelings and behaviour.

Now that is probably not a fair reflection of good group work but it sticks in my memory.

I was once in a therapy group – this when I was still young – led by an esteemed psychoanalyst, which I have since likened to the Mad Hatter’s tea party. Such were the unwritten rules that governed our behaviour and the conduct of our leader who said nothing most of the time, not by way of introduction or departure – a traditional analytic approach in those days perhaps, but nevertheless one designed I think to leave him in a powerful position.

The analyst’s occasional pronouncements were invariably directed at the group and I sensed that he saw himself as outside of the group. As if he were a puppet pulling invisible strings and we were the puppets, knowing little if anything about why we behaved as we did but behaving accordingly.

But yesterday’s experience was different, with two facilitators, a man and a woman, and both, to my mind, particularly the man, prepared to share their most heart-felt experiences in order to allow for what I can only describe as a creative dialogue that then led us into creative activity.