Sliding backwards

Not long after she was handed her driving license my
mother took out her new second hand car, a pea soup green Farina that was
shaped like a woman, all curves and narrow fenders.

On the Saturdays on which my
mother was rostered to work as a child care officer at Allambie, she drove to
and from her workplace with her four youngest children in tow.   I was ten and the oldest of the
four.

 
My mother took the car key with her into work and warned
us not to lock the car should we decide to go for a walk or leave for any other
reason.  Otherwise we would not be
able to get back inside the car until her return at five o’clock.  We were not to interrupt her at
work.
 
Those days were long.  My mother parked her car on Elgar Road not far from the
Wattle Park.  We killed time by
walking to the park and mucking around on the no longer functional tram that
had been installed as part of the children’s play equipment.  

Back inside the car in the middle of
the day we ate the jam sandwiches we had brought from home.  We doled them out slowly so as to have
something to do and also to keep our hunger at bay.  We spent the late afternoon dozing and reading books in the
fuggy warmth of my mother’s car. 
Nine to five, so many hours to fill for four small children alone in a
green Farina.

 
On the way home I sat in the front seat.  I helped my mother to drive by
anticipating her need to turn corners. 
It must have annoyed her when I insisted on clicking on and off the
indicator light whenever she turned to right or left, but she did not
protest.
 
My mother was a nervous driver and often stalled at
lights. Worse still, her green Farina had sloppy brakes. We sat at the
top of the hill at the intersection of Mont Albert and Balwyn Roads and waited for the car’s inevitable slow
slide back, even with the hand brake raised.  I hoped the lights might change soon before the car hit anyone
behind us.  

In the nick of time my
mother re-engaged the gears and we shot ahead spared the humiliation of a
collision.

My mother had a serious accident within a year of getting
her license, serious as far as her Farina was concerned.  She gave up driving then, too terrified
to get back behind a steering wheel. 
With no one to encourage her, my mother lost her opportunity.
 
She told us years later that she had wanted to learn to
drive again but by then my father was against it.  He was dependent on her company.  ‘If she gets her license,’ he said,  ‘she’ll never stay at home.’  He preferred to act as her driver
instead and so my mother became a kept woman once more.

We’re slipping back into the past in this country with a
conservative government at the helm. 
There’s only one woman in the ministry among all those men, all dressed
in dark suits, including the one woman. 
We have a new title for our Immigration Department that includes the
words ‘border protection’ – it seems once again we need to protect our
borders.  And now we have no
ministry for science, or for aging, disability or mental health, all those
areas in which vulnerable people need assistance. 

We have slipped back into the one dimensional world of white Anglo Saxon, homophobic times and
it terrifies me.  My only hope is
this is cyclical and the slide backwards will not continue. 
I wrote a letter to a friend but did not send it.  I did not send it because I did not
want to revive a situation that is now over.  I did not send it in part because I cannot revive a
friendship that is over.

And so my
letter sits in its envelope unopened, sealed forevermore, so many words
unread, so many thoughts unshared. 

My letter will go where all the other letters-not-sent go.

There must be many such letters written by people in the
heat of a moment, written with the intention of communicating to another, but
lost through a change of heart.  

Sex and death

There’s a story doing the rounds in cyberspace about a
father who wants to teach his adolescent daughter a lesson. In the family’s blog he is dressed
in very short shorts and stands provocatively at a bar for the benefit of what
I imagine to be someone’s iphone camera. 
Apparently, both
the father and his wife do not enjoy the spectacle of their daughter dressed in her short shorts.  They consider it unseemly, obscene,
inappropriate, disturbing, provocative – you name it.
 
Despite their protests, the daughter had insisted on
wearing her short shorts to a family dinner and so her father took a pair of his shorts from his room, cut off a few inches from the legs, and wore them out to dinner, too.
 
Did the daughter learn her lesson?  I’m not sure. I’ve been trying to
figure out what the lesson is.
Had the girl’s mother cut her own shorts down to size, the
comparison might have been more telling.  
I ask myself why these things matter?  Why do we care so much about young women wearing their short
shorts?  
 
Then there’s the Robin Thicke clip that’s also doing the rounds to the song Blurred Lines.  The lyrics are provocative, implying there are blurred lines to sexual consent. The men are in suits, the women naked.
 To counter this a group of Auckland University students created a spoof where the men, dressed only in white underpants, dance to the whims of the women who are fully clothed.  The lyrics are different, too.  An attack on misogyny.  
Not long after mini skirts came into vogue, women started
to burn their bras in protests against patriarchal constraints.  At the same time not wearing a bra
could be sexually provocative.
 
I cannot be sure what led me not to wear a bra on my
wedding day.  Was it simply because my wedding dress could not sit well with the imprint of
a bra beneath.  
My wedding dress was of a fabric that I believed could conceal the
fact that I did not wear a bra. At least in my mind it was sufficiently modest, though I later heard rumours that people like my mother were horrified.  
I have the horrors myself when I look back on another
time, a New Years Eve in the 1970s when I decided to go bra-less to a party at a friend’s
house in Ivanhoe.  
I had bought
myself a blouse, a long floppy sleeved and cropped blouse, the type you see
on a flamenco dancer.  It came
together tied in a knot across my midriff.  The white cotton was as thin as a summer nightie, and almost as transparent. 
I wore it with pride.  But now I find myself cringing at my exhibitionism if indeed
that is what it was.
 
That night people got drunk.  Someone pushed someone else into a swimming pool.  Fellows slipped off their clothes.  The
men, I might add, not the women.  
The women wore bathing suits, but several of our young male companions took
to skinny dipping. 
It was a night of arousal though nothing untoward happened
as far as I can remember, though to look on it from the outside it might have looked like an orgy.
I wonder then about what is or is not appropriate in this
life?  What determines our
behaviour?  What do we decide is
obscene and what not? 
Yesterday as family members stood around the grave side of an elderly aunt about to be
buried I checked out the depth of the hole.   
‘It’s
so deep,’ I said.
‘But look at that clay,’ one brother said.  ‘Oh to get my hands init.  To sculpt from it.’
‘It needs to be deep,’ someone else said, ‘so they can
fit another body on top.’
 
I looked into the hole in the ground and wondered what it must be like for my uncle to see his eventual resting place.   
My husband and I have yet to choose a burial plot.  I think about it.  Preparations for death.     
My sister has made a family pall of white silk, embroidered in gold thread.  It has sections to represent all the
members of our immediate family and in each section my sister has included both
zirconium crystals to represent the boys in each family on the extended line
and tiny pearl button to represent the girls.  
The pall symbolises the lives of our parents and their nine children, twenty three grandchildren and
twelve great grandchildren with another two on the way.  My sister hopes that every member of
our family will use this pall for their own funerals.  
I shrink a little inside whenever I see the pall.  It seems to me it will soak up so much
grief and I cannot help but think of the pall draped over my own coffin when I
die, or when my husband dies, my siblings, my mother and in time my children and then their
children.   
There’s something ominous about a pall, so unlike a
christening gown, which signals new life.  
‘When you’re dead you’re dead,’ my brother said.  ‘You won’t know.’  
‘But there’s the build up to death.’  One my cousins nodded her head in recognition of my qualms
but another sister insisted she does not think of these things. 
We chattered on about death until my oldest brother leaned
over, ‘I’m not sure now is the time to be analyzing such matters.’
People stood at the side of the grave and waited for the
funeral organisers to do their thing.  We fell silent, though a few chatterers further up the hill continued to talk.
 
When human silence prevailed I heard the birds twitter in the trees
above and fell back to thinking not so much of my aunt whose body was about to
be lowered into the ground but of the rest of us still alive who are left
trying to make sense of how we might go on living in a world filled with rules
and regulations about how we should behave.  
I still cringe at
the sight of me in my see through blouse.  
My older self wonders how could she
do it?  
My younger self says, who cares?  
The celebrant read out a poem.  Her words stay with me.  ‘Your bones are made of stars/ your blood is filled with oceans.’  
There’s more to us all than our appearance or desires.