His plaything

The algae in the dog bowl grows
back as fast as I can clean it out, a dark green velvet on the base of his
otherwise blue bowl.  It has the
appearance of close shaved moss and when stirred up makes the water murky.  
I am vigilant about keeping up the
dog’s water supply.  Dogs unlike
cats need a constant and fresh supply. The dog has none of the cats’ ingenuity
in locating water. 
If only new ideas grew as readily
as algae, or at least fresh and good ideas, but they’re as hard to keep up with
as fresh water.  They take
effort.  At this time of the year,
so close to its beginning, I have run dry. 
My father came home with his first
television set when we lived in Healesville in a log cabin styled house nestled
in the valley off Myers Creek Road. 
Reception proved a problem in those days and it was necessary to fix an
aerial to the roof, stiff and angular like a scarecrow, but not a scarecrow to
scare off birds, rather a scarecrow that might draw in sounds and
frequencies.  
As well we had a
small portable aerial that sat either on top of the television itself or nearby
and needed constant adjusting whenever the picture began to run reel by reel
over and on top of itself. 
Sometimes one of us needed to hold the aerial in a particular way
throughout the entire movie to stop the picture on the screen from warping and
running on.  
The frustration of early television
watching was only matched by the pleasure of entering into this new black and
white world where people in the movies never seemed to bother with the trivia
of life like earning a living or going to the toilet.  
Why ever not? 
Why did these people in movie land not need things like toilets or
money?  They ate food occasionally,
or at least they gave some impression of eating in so far as they sat in front
of a table of food set for dinner but rarely did they hoe in.  
They reminded me of the nuns at school, those black robed women whose bodies were completely concealed under layers of
material.  They never ate or used
the toilet, or so I imagined as a child. 
Underneath their bodies were not like ours.  They did not therefore need to function as did we with eating
and elimination.  Nuns were
pure. 
Advertisements were the most
intriguing aspect of television in those days, the way the model, the beautiful, bright smiling, impeccable model might bite into a chocolate coated ice
cream.  
You could hear the crunch
of chocolate as it cracked but never a drip of ice cream dribbled down the model’s chin, and although she closed her mouth over the bite and smiled broadly as if
savouring the sweetness, I imagined a spittoon nearby into which she might spit
out the concoction, mostly because I had heard such advertisements take many
cuts to make and if she needed to eat all that ice cream over and over again she
would soon be sick.
By the time I reached adolescence
my imagination was caught up in the bodies of these actors.  The way a man might hold a beautiful
woman close to him to kiss her or to dance with her and she wore a backless dress.  His hot hand stroked up and down her
back.  I imagined him doing the
same to my back in horror.  My back
by then was lumpy with pimples. 
I spent my time comparing myself to
these on screen heroes and heroines imagining that no such life awaited
me.  I was too imperfect.  Too hungry, too spotty, too poor to be on screen. 
By the time we left Healesville and
moved to Canterbury, my TV tastes had changed from preferring a rich diet of
cartoons, only available in the late afternoon, to the midday movie which we
watched as often as possible while our father was away at work during school
holidays.
When our father was at home, he
commandeered the box.  He decided
on boring stuff, the equivalent of Meet the Press with Bob Santamaria or the News, but we preferred Disneyland with
its choice of destinations, Frontier land, Adventure land, Fantasy land, of
which trips into fantasy land usually in the form of cartoons or fairy tales was my
preferred destination. 
One day, I must have been around
thirteen years old and conscious of my body in a different way;  conscious that tiny breasts were
beginning to bud on my chest; conscious that I was beginning to outgrow my
clothes at a much faster rate; conscious that my underarms and pubic bone were
sheathed in fine hairs; and conscious of my father as he sat me on his lap in
front of the television. 
We were watching Brian Henderson’s Bandstand.  Singers and musicians
performed while my father played with the zipper at the back of my dress in unison to the music.
My father stank of alcohol and of
cigarettes as he rode the full length zip up and down so that my entire back
was one minute exposed the next covered. I wanted to get off his lap but felt
glued to the spot.
I wondered that my mother who sat
in a chair only inches away with her eyes fixed to the television set did not
notice my father, or not so much my father as my discomfort at what he was
doing. She smoked a cigarette, while tears rolled down my cheeks. 
Silent tears. I did not dare let my father know that I objected to his zip
pulling. 
It felt wrong, as if my father were
doing something he should not do, as if he were teasing me the way he liked to tease my
mother when he tried to take her apron off as she stood at the kitchen stove. 
When she pushed him away he
lurched for her and she pulled back. 
He ripped at her dress and tore the front half away from her body.  My mother stood in shock in her
petticoat.  Bits of dress fell to the floor and my father looked triumphant as if
he had exposed her at last. 
Was this what he was doing
here?  All this activity on the
television and my mind was a jumble of thoughts about the drama going on in our
lounge room, only no one could see but me and my father.  To this day I am
not sure how conscious he was of what he was doing, or of how he had made me
feel. 
I was his plaything.  

A would-be feminist rant

Women over
populate my life.  Four daughters,
three sisters, and a professional life both in the world of psychology and of
writing that these days is dominated by the presence of women.  It is the same wherever I go.  
The Melbourne Writers’ Festival.  Check out the audience: all those
heads, the dyed or otherwise greying hair of women, mostly older women, though
there are some young ones in between. 
Maybe a quarter of them at most are men.  I do not know the statistics.  The ratio is much the same in psychotherapy circles, one man
to every four women. 
I prefer a more balanced mix of gender, including the in between,
the hybrids, the transgendered.  I
tell myself I would prefer there were more men present, at the same time I am sensitive
to the degree to which men tend to dominate conversations.  
Research suggests that from the
beginning in early childhood at kindergarten and primary school, teachers spend
more time addressing the boys. I risk a generalisation here but it seems to me from earliest days
girls learn to communicate with words, whereas boys are more inclined towards
action, including action words.
In September this year, the feminist activist, comedian and all
round ‘nuisance’ woman, Catherine Deveny was on the panel of Q and A with the likes of Peter Jensen, the Anglican archbishop of Sydney.  Catherine Deveny gets bad press as a
loud mouth.  She invites it to some
extent because of some of the things she says, like her comment about Bindi Erwin and the hope that she ‘get laid’.  
A non-academic Germaine Greer of sorts, Deveny by and large is on the
side of the underdog, on the side of women, but she too enjoys her friendships
with men and what seems like a loving partnership with a man with whom she
cares for two sons, though to her great pride the couple remain unmarried.  I befriended Deveny on Face Book
because I enjoy her style; though I watch other peoples’ faces crumple at the
mention of her name.
I mention Deveny here because of the battle over the number of words
ascribed to her during this session of Q and A.  Several twitterers and bloggers considered her to have
dominated the show.  She cut across
the other panelists, people complained, when in fact she did no such
thing. 
Chrys Stevenson analysed the data and found that as is typically the
case the men used more words, and cut across people more often, while the two
women on the panel spoke less.  Not
to get into a battle between the sexes, I think about these issues here in my rambling
disjointed and broken way of thinking – I am a woman after all – my father’s
daughter, my husband’s wife.  I
recognize the imbalance of power in my world where women are mainstream but men
get the cream.  The cream of jobs,
the cream of books reviewed, the cream of recognition.
Despite the prevalence of patriotism everywhere, including
and for me especially during my childhood, somehow the men often seem to wind
up worse off than the women who are downtrodden, though not in extreme
cases.  Witness the plight of
certain Muslim women, Indian women, women in deeply patriarchal societies where
to speak out as a woman is to risk getting your head cut off, and not just
metaphorically. 
When I first started to write again, many years ago after a destabilising
event that left me demoralized, I could only seek solace in words on the
page.  I realised then the degree
to which writing has come to be dominated by what Ursula Le Guin has called
‘father tongue.’  Father tongue,
the language of the academy, the so-called objective language that seeks
distance; that resents uncertainty and demands closure.  This as distinct from mother tongue,
the language of mothers and babies, mothers and children, the language that Le
Guin argues is closest to poetry. 
It flies on the wind.  It is
repetitive and simple.  It thrives
on doubt. 
Both languages are essential Le Guin argues but there is a danger
when one presupposes superiority over the other, as evidenced in the hostile
response to Deveny’s non-rational comments juxtaposed to the less virulent
responses to the so-called objective and reasoned thoughts of her fellow mostly
male panelists.  We need both
mother tongue and father tongue to develop what Le Guin describes as native tongue
but this is not easy in a world dominated by the patriarchal.
My sensitivity to such things derives from my life in a family top
heavy with men and this time not only in notion, but also in fact.  There were eleven of us in my family,
six males, five females.  My father
at the head.  He ran the show.  He earned the money.  My mother obeyed.  
At least overtly she obeyed.  If ever she defied him it was a hidden
defiance, one she undertook in stealth. 
That was until she caught my father at my sister’s bedside and the look
on his face told her he had over stepped the mark.  My sister was sitting in bed, the blankets pulled up to her
chin, like a little bird, my mother said, while my father leered. 
‘Get out of here,’ my mother said to my father.  ‘If I ever see you with her again I’ll
kill you.’  
Later she thought my
father’s visits to my sister had stopped, but my mother could not bear to see,
and my sister protected her by keeping my father’s further visits a
secret.
I do not want to suggest that men are the bad guys here and women
are the victims.  We are all in
this together.  The other night at
dinner after a day long writing workshop, four women and one man, we talked of
travels overseas, and one woman, the youngest among us, talked of how she had
been groped six times in India in less that six days until she finally saw
red.  She ran after the man who had
grabbed her breast, and yelled at him that he should not behave so while
squeezing a bottle of water over his head.  She yelled at him all the way down the street and
imagined-hoped, she said, that she had managed to shame him in front of friends
and family.  
‘It happens all the time,’ she said. 
Not to me, I thought. 
But then again I have not travelled through India, or Rome, or the
Middle East where others have told me such extreme exploitation of women takes
place.  And I am over fifty, the
age they say when women disappear from view as sexual objects.
Alas, these unwarranted gropings do not just happen overseas.  I went to the most recent Reclaim the Night march in Sydney Road in Brunswick in October this year.  The march followed closely on the death
of Jill Meagher.  This much
publicized event took Melbourne by storm. 
Jill Meagher was young, beautiful and talented.  She worked in the media.  She had a profile in her ordinary
day-to-day life that drew people’s attention to her, but now she is dead and
her alleged killer is in prison awaiting trial.
There was a storm of protest when Jill Meagher disappeared, mostly
fueled by comments on social media and people’s rage which apparently made it
easier for police to track down the alleged killer.  When I heard they had found him, not only did I feel relief,
the man was off the streets at last, my daughters might be safe, especially the
one who lives in Brunswick close by to where Jill Meagher was raped and murdered,
I also felt sorry for the children of this man, boys or girls, what does it
matter?  
How is it to live your life in the knowledge that your father is a
sexual predator and a murderer?  I
know something of what life is like with a father who sexually abuses his
oldest daughter and moves in the direction of his younger daughters.  And it sucks.  It sucks because it makes you twitchy in relation to all
things sexual.  And it makes you
wary of relations with men.  Not
that I haven’t had my share of them. 
And I have been married for 35 years to a man who even as a successful
lawyer and a man of many talents still struggles to find an identity in a
world, his world dominated by women, his mother, his sisters, his wife and four
daughters. 
He calls it girlie talk when we prattle away in whatever is of
interest to us at the time, the price of the new Funkey shoes, the intricate
details of my daughter’s recent birth of her son, the latest gossip about the
girls at my youngest daughter’s school. 
I am used to my husband’s disdain and often times will try to redirect
the conversation to something that might feel more inclusive of him, but my
daughters are less so inclined. 
It is not simply the gender divide.  The generation gap applies too.  My husband who had his formative years during the hippie
loving seventies now and then comes out with schoolboy humour, lightweight
sexual innuendo to my ears but to my daughters, his jokes are appalling.  He once argued with one daughter and in
the heat of the moment referred to her as a tart.  She objected to the word.  She still does. 
She considers it an affront to have a father who calls her a tart.  He used the term not to describe her
appearance but more because he was angry about her behavior, too long on the
telephone or some such thing. 
I argued with my daughter over her sensitivity to the word.  ‘Bitch would have been better,’ she
said to us, ‘but not tart.  Tarts
are prostitutes.’  My husband
learns to hold his tongue. 
Language changes and with it words take on new meanings.  The politically correct extracts its
toll and plays its part in the power imbalance between men and women. 
When I was young I thought my father ruled the house, but there came
a time when my parents were around the age I am now, not long before my father
died, when the tables turned.  My
mother took up voluntary work with the church visiting impoverished families in
the high-rise estates in Fitzroy.  My father by now had retired.  He did not like her going out while he
was stuck at home alone.  He did
not want her to learn to drive for fear she would never stay home.  Instead he drove her in and out of the
city from Cheltenham every day in order that she should be near.
The tables turned and my father, once the strong one became the helpless
dependent one right up until his death. 
And my mother grew stronger once he was gone.