Telling and not telling

‘We resurrect the dead in our dreams.’ Siri Hustvedt

The only time I see my parents now is in my dreams, in photographs and my memories.

My dreams, the clearest depiction when they come alive, and in them we have conversations. Reading Siri Hustvedt’s book Ghost Stories, a story of grief on the death of her husband Paul Auster in 2024, I’m struck by her passion for this man, within the context of a long and fulfilling marriage, despite the tragedy of drug addicted Daniel, Auster’s son who killed himself soon after the death of his eight-month-old daughter Ruby, for which he was held responsible. 

Hustvedt details this tragedy, the year before Auster was diagnosed with lung cancer as a possible determinant in the onset of the disease. The doctors, she writes, are interested to know his genomic history and the fact that he smoked, but they did not once reflect on the extent to which this tragedy, losing his granddaughter and son in such a short space of time, could derail a mind and body such Auster is unlikely to have been the same ever again. 

Stress, Hustvedt reminds us, can lead to bodily changes, which the medical establishment with its heavy emphasis on the mechanics of bodily health and disease the quantitation of blood and hormone levels fails to factor in.

This book, like all diaries, as Hustvedt describes, is a ‘geography of telling and not telling.’ Isn’t this true of all lives?

Yesterday, I met with an old friend. We extend across four decades with long periods in between where we have scarcely seen one another. Linked in large part by mutual friends, one of whom has since died. His wife, now in her mid to late nineties is losing her memory. My friend and I tried to piece together the time in between, when she spent a good deal of time with this friend and placed that memory against earlier times when this woman was like a substitute grandmother to my children.

When this older friend and I travelled every Tuesday to an event held at the Athenaeum Library in the city, for The Tuesday writers. A group of people stemming from my days at the Council of Adult Education with whom I completed a diploma of Professional Writing and Editing. 

Some from my class did not want our novel writing class to end so we formed the Tuesday writers. I left this group ahead of my friend to care for my grandchildren which I’ve done these past 18 years. The Tuesday Writers might still exist but given my Tuesdays are never free now, and I no longer know anyone in the group I cannot say.  But something is stirring inside. How can I chase them up? How can I reconnect?

They, too, are like ghosts in my memory. So many people and their names fading much like the ghosts of a lifetime.

And the conversation with my contemporary friend was studded with gaps but I gave her a copy of my memoir The Museum of Failure assuring her there were people she might recognise despite the pseudonyms.

I did not tell her that the person who was most instrumental in my failure was a woman who was most significant in my friend’s life as her analyst.

There is something about keeping the identity of other people’s therapists safe and sacred for the sake of the person’s therapy or analysis that is deeply ingrained in me.

We don’t want to badmouth other people’s heroes.

It would be like telling you things about your parents you do not want to hear. Things about your parents that might re-shape their view of those parents after death. The ghosts will morph into something horrendous relative to the idealised views they hold in their hearts. But I want to tell my friend about her analyst now dead. About her strange ways that were hard on me. And other secrets I know, but secrets are like this. You hold them close for fear of the damage they might do. Her secrets, my secrets.

A geography of telling and not telling. 

Paul Auster began writing letters to his grandson Myles, born four months before the writer died. Such compelling letters as Hustvedt details in her story. She also includes some letters she wrote to her friends during her husband’s illness. She wanted them to know. He wanted them to know what was going on following Auster’s cancer diagnosis. To keep them in the loop. 

It reminds me of the messages I sent to my siblings during our mother’s last days when she was in the Dandenong Hospital dying. 

We did not realise this until she was described as palliative. For much of these last three weeks of my mother’s life, my sister and I operated as though we would need to find her higher-level care given the retirement village where she lived for the past decade did not offer this. 

My mother died in the Bethlehem hospice, which seems apt given this hospice which is no longer trading under that name was in earlier incarnations a maternity hospital where my husband was born. 

He likes to joke, like Jesus, he was born in Bethlehem. Born in Bethlehem and baptised in St Patrick’s Cathedral. You can’t get more high ranking than this within the Catholic hierarchy of Melbourne, but he does not submit to these hierarchies anymore.

My mother did. She believed in miracles with all her heart, which brings me to another of Hustvedt’s observations when talking about the roller coaster of the story of her husband’s life, his final months after being diagnosed with lung cancer. 

‘There is an important distinction between optimism and hope. The optimist’s tendency to cheer every piece of good news and predict a good outcome is understandable but creates emotional swings that at least for those who love the patient are unsustainable. Hope on the other hand is necessary for living on. In my case a stringent reality principle with hope allows me to be a better companion as this story moves ahead.

The number of times my mother told her children a miracle had occurred, and our father had agreed to stop drinking is remarkable in its frequency. This alone put me off the idea of miracles. And the day my analyst told me there is a fine line between optimism and denial stays with me. Such a fine line. Better to stick with the idea of hope. That things as Emily Dickinson writes like hope with feathers. It can fly. Despair cannot.

But miracles belong with the ghosts of our pasts and presents, ghosts that help us maintain our connections to those long gone, but they cannot be rematerialised except in our Imaginations.

And like Hustvedt pining for her beloved Paul we must learn to grieve our losses rather than image they will one day be resurrected that way of Jesus. We all must die. But while we live we hold onto the hope of finding meaning in our lives and connections such we might never need resort to miracles if religion or otherwise. 

They can lead us into false hope, and denial which ill prepares us for those final days. Auter said he hoped to die telling a joke. Philip Adams talks about wanting to be awake when he dies. From my limited understanding of death when it comes, it’s unlikely to go the way of movies with a person uttering their final word. My mother reported that our father’s final words were along the lines of ‘St Francis was a wonderful saint.’ 

Somehow I find this hard to believe. Perhaps she thought it. Perhaps she wanted it. My father reformed from alcoholism into the church of heaven. Another miracle, or so my mother believed. I suspect he died in silence. His last breath no more. 

The nourishment of sleep

Somewhere in my dreams last night there was a baby, the tiniest baby I’ve ever seen who was intermittently crying for a feed then sleeping. I went to pick up this baby to reconnect it with the mother.

Its mother reached the baby before I could get my fingers around its frame, which looked as fragile as an insect’s. Premature, I thought, but did not say. 

Elsewhere in my dream a yellow green snake coiled around my fingers and would not release its grip. I was seated at a wedding reception and a woman to one side told me to let the snake slither to the ground after which it would leave. It was not venomous, just determined, she said. Once grounded it slithered away. 

My dreams are great companions. They feed the nourishment of my sleep, but I rarely hold onto them for more than a few minutes over the course of a day. I’m untrained at getting a firmer grip on them as I once managed during my analysis. 

In those days I wrote dreams down, even in the middle of the night when I woke. To explore the next day with my analyst. Like me, Mrs Milanova took dreams seriously. They were like friends, she told me. They helped you understand your states of mind. The way they rollick along from one day to the next. 

The stuff of a human mind fascinates me. And what better subject than me, though I could hardly be called objective. And the blinkers go up the minute my fingers hit the keyboard, even as I reach for authenticity. 

Even so, that pull away from certain subjects is always there: You can’t write that. You can’t say this. You can’t alert people to this or that, or the other secret business buried in the back of your mind. 

It’s as much an enemy of art as Cyril Connolly’s ‘Pram in the hallway’ suggests, the ways in which the presence of children get blamed for taking parents, especially mothers, from their creative lives. 

Sleep for me is also a great distractor. If I did not need my sleep and dreams, I’d get up every day to write at 5.00 am. But I do not have it in me to rise earlier than 6.30 am on weekdays. And on weekends I love my mornings without an alarm. When I can lose myself in the unconsciousness of my dream world unencumbered by responsibility.

The pram in the hallway. The responsibility of motherhood. The life of a therapist. It’s a constant. And as much as I welcome it and seek it out, I sometimes wonder how it might be to live without appointments. 

I have been working ever since I was 17 years old and only once in my life beyond my university days have I been without work. This happened when I was between jobs after returning from six months in Canberra as a 24 year old where I worked part time in two separate jobs.

I remember the sensation. My husband-to-be was still working. His job with the Commonwealth’s Department of Administrative Services, conveying and selling land for the government, took us to Canberra. While I gave up my social work job at a community care centre to follow him. 

Typical. A woman following her man into a job and leaving herself without one. But as soon as we hit Canberra, I began the search. My eldest brother worked in the ACT as a senior public servant in immigration and he put me onto the head social worker at the Woden Valley Hospital. She took me on part time in the rehabilitation unit. 

I did not warm to her authoritarian style or the job, apart from one or two of the other social workers there. Mostly I wanted to go home. For the second half of my Canberra days, I snaffled a job as sole social worker at the Queanbeyan Hospital on the outskirts of the capital city. 

A weird job and place. The buildings were wooden as if built in war time. The place had an impoverished feel. And my office, tucked away in the back corridors, was isolated. 

My predecessor had been there for decades, lived in Queanbeyan, and everyone knew and loved her. The worst was at morning tea when I entered the tearoom and tried small talk with people I did not know. I was shyer then than today. 

Today I’d go out boldly and introduce myself. Today I’d have something to say. Today I’d be unashamed, but as a twenty-four-year-old who lacked confidence in her capacity at anything in a position of seniority – I was meant to run an entire department of one – I floundered.

By the time I crossed through the flat back roads of Canberra to the Woden Valley Hospital after lunch I was ready for rehabilitation and there was plenty to come. I hated the lack of autonomy. The responsibility I had to show up even as I had little idea of what I was meant to do beyond being a social worker who helped people sort out their affairs. It was not where I wanted to be. 

Come Christmas and our return to Melbourne for a week, I railed against my boss at the Woden Valley who would not let me extend my time away for more than two days because, as she put it, ‘It’s your job and responsibility’. 

She had no idea how much my heart ached for home. For the familiarity of the streets of Melbourne. The way the people I knew there conducted themselves. My friends, even my family. We did not stand on ceremony the way folks in Canberra did. In Canberra you needed an invitation to someone’s home before you could visit. You could not simply drop in as we did in Melbourne. 

I was blessed that my husband-to-be did not plug for a continuation of his time in Canberra and instead returned to his more mundane tasks at home. When I was finally free to find my own course in the place where I felt safest.