On death, leeches and a mother’s grief

In the year I turned five, my parents moved into a log cabin on Myers Creek Road in Healesville. It was home to six small children and our parents while also providing a front room with a wide window that long ago someone converted into a shop front. 

They called the place Sunspot, even though nestled at the foot of Mount Donna Buang it rarely offered much by way of sunshine. It was magical all the same with its tall eucalypts and vast tree ferns whose tips clung in circular fronds like tiny foetuses. Ever green, especially in the depths of winter. 

One day my siblings and I wandered down to the creek, which rippled along the base of the valley. A creek whose waters in my memory were always clear and dappled, in light and shade, over round pebbles the colour of desert sand and the dry split peas my mother used in her soups. 

We had not walked long when one of my brothers complained of an itch in his eye. 

‘Don’t rub it,’ my older brother said. He could see and we others could see, the thin tail of a black leech which had somehow slipped into the corner of my brother’s eye and nestled under an eyelid happily sucking away.

I knew enough about leeches even then to know you should never try to flick it off or squash it. Leeches, our big brothers told us, had suckers that dug into your skin and if you did not remove them with care they could leave bits of their fat black bodies behind and those bits could get infected and you might die.

Death was something I had heard about that year after my mother answered the phone one day. The telephone black as a leech and just as shiny was cradled in a nook on the wall close to the shop room of our house. My mother began to cry. I could scarcely hear her words, muffled and in Dutch, but soon after we learned her mother, my Oma, had died back home in the Netherlands, and my mother would never see her again.

She could not attend the funeral. Costs too great and time too short. She settled instead for a black and white photo of her mother, dead on her hospital bed, eyes closed and hands clasped in prayer position. A photo I studied often for signs of what death might look like.  It came several weeks later in an envelope bordered all round in black. Such envelopes I soon learned carried news from Holland that another person had died.

I disliked it when these letters arrived. They always left my mother red eyed and weepy after she opened them and read about yet another uncle, aunt, or cousin who had passed onto Heaven. 

She should be happy then, I reasoned, as heaven, she told us, was a happy place where we could get everything we wanted but could only arrive there if we were good. 

I tried to be good, but it was not always easy. And in those days when I struggled to work out the trickiness of this thing called death, which took people away for good but also sent them to Heaven. It was a mixed blessing and I was anxious about my shortcomings. Not ready for death, especially not the idea that one day my mother, too, would die and leave us to fend for ourselves. Then what would we do? We still had our father, but he was not a person I wanted to look after me, as much as he knew what to do when a leech floated into your eye.

We did not tell our mother about the leech but went straight home to find him digging out a ball of ground which he promised would one day become a swimming pool for the summer days when everyone would visit us and the shop do its roaring trade.

Sadly, this never happened as my father and uncle who bought into this venture, which not only included the log cabin and shop, but also a series of holiday cottages further up the hill on one side of the mountain, overestimated their chances. 

Visitors never came, the charm of Healesville as it once existed during the turn of the century was over and people preferred to holiday in the sunshine at the beach, not the dark gloomy bush of ferns and undergrowth in Healesville where leeches lurked and the possibility of snakes was ever present.

But I did not reflect on any of this as I watched my father take his lit cigarette to my brother’s eye as carefully as his trembling hands might allow. Under the glowing tip of the butt the leech wriggled away from the edge of my brother’s eye and fell to the ground where another brother stood on it. Blood oozed like a stain in the dirt.

The leech was dead and my brother lived and did not lose his eyesight or good health. But this memory, on the cusp of all memories to do with death, comes back to me now. The shiny black skin of a fat and full leech whose short time on earth had finally come to an end. While mine would go on for decades. 

Tropes of Hope

When I was a child a leech slipped into my brother’s eye, inside the socket where it had its fill and blood slid down my brother’s cheeks in place of tears. A familiar wave of terror washed over me. I could not have named it then. 

Even my father was at a loss. When leeches slid under our socks and down our legs on walks through the bush in Healesville, he whipped out a cigarette, lit the raw end until it blazed red, then took the lit end to the leech. It shrivelled into a tiny ball and fell off. 

This was the safest way, my father told us. That way no part of the leech remained. The danger of flicking off or scraping it from the skin’s surface. Its sucker left behind, embedded. Better to shock it into losing its grip.

With my bother we waited till the leech had its fill and came out for air. Then slid down my brother’s face. Not safe for the tip of a lit cigarette but necessary. My father’s aim was steady in those days.

The rush of relief when terror turns to joy. How we laughed. My brother’s eye intact. Blood wiped away and sanity restored.

I wanted to include the image of a leech, but the pictures available on Google made my stomach roil. So I settle for an image of the Healesville bush where leeches once lived in abundance. No doubt they still do.

To write about death is to take yourself to the edge. Clichés abound. A sick person on their death bed, gasping and sighing till they speak their last words into the ears of a significant person nearby, sigh and then drop back on the pillow to breathe no more.

It happens fast. Movies bypass the hours, days, weeks when a person is dying. When the slow creep of body exhaustion takes over and they slip into a coma, still breathing the slow shallow gasps of a body whose heart insists on kicking on even as the rest drops away, organ by organ. And then the hacking breaths of near death which people in palliative care recognise as a precursor to the end. The death rattle. 

The western world fears death. Not just for the loss of our loved ones, not just for the end of our own lives, but for the process of being here now and then no more. 

My four-year-old grandson is going through an experience where he begs his parents to stop death. To guarantee he will never die. They will never die. No one will grow old and die. Let all our birthdays stop. Even as he loves a birthday. 

Ageing terrifies him. Some deep anxiety about loss he cannot make sense of. He works himself into a lather of stress pleading for fake promises which no one can give.

‘Tell me, we won’t die.’

When his mother, my daughter, was fourteen she went through a time when she pleaded with me to prove I loved her. To prove I loved her by holding her tight and not letting go. The more she held to me and insisted I hold her firmly, the more my fingers loosened around her waist. She felt it as a sign of my lack of love.

She was onto something. I come from a long line of touch avoiders. A long line of people averse to hugs. The fear of such proximity it might take your breath away.

How do we do it? Reconcile ourselves to the inevitability of our death while still able and willing to go on living. To hold another in our arms without being so submerged in their desires we also cease to exist, or they might disappear in ours. 

How do we write our own stories even as we might create an illusion of living happily ever after? The cliché of striding into the sunset. The ascent into heaven for those who believe in an afterlife. Or a reincarnation into some other form to keep us going into infinity. 

Tropes of hope. Those marks of the human desire to stay alive forever rather than accept the inevitability of one day shrivelling up like the leech behind my brother’s eye and sinking to the soil, trodden under foot beneath my father’s shoe, a blob of red on the surface of the earth. No more 

Only traces remain. They too are washed away in the first fall of rain, under dropped leaves, the wind across the loose dirt. The ceaseless movement of time.