On mother rage

There are days when life grabs you by the throat and refuses to let go. You know you’re alive because the pain is huge. Private griefs, the ones we carry alone, are worst of all. 

One such day, hot and shiny, with a blue sky to match my mother’s eyes, I walked down the narrow side of the house to bounce my ball. A single tennis ball borrowed from my brothers and not yet soft. 

Only days earlier I had mastered the art of the endless bounce, my hand against the ball, up and down, rhythmically. The trick was to land the ball on hard surfaces. The concrete walkway perfect, from the laundry door to the street and footpath in front, up and down and counting. 

I was aiming for five hundred. My determination kept my eyes fixed on the ball and ground in equal measure. The rhythm and predictability offered a sense of control and mastery I rarely felt when it came to the physical. I could not run fast like other kids at school or shoot balls through a hoop or stretch my legs for the long jump. But I could keep my tennis ball in action. That was until it smashed against a pane of glass unseen by me. A pane of glass the glazier had left against the side fence in anticipation. He planned to replace a broken side window. 

The smash of glass sent my mother to the back door and down the side path to the broken shards. My ball stilled at only 239 bounces, a dead ball I did not retrieve for fear of cuts, which came instead with my mother’s words.

‘How could you be so clumsy?’ My usually calm mother’s eyes glazed over with a look I had not seen before, at least not directed towards me, and I fled. 

To the park. How could my mother blame me for this accident? The ball had landed on the concrete as it should but bounced against a stone, which sent it off circuit, to ricochet in the wrong direction into that fragile sheet of glass that had no business being there.

My mother and her oldest and youngest daughters. other hood, mother rage, sainthood,

My mother usually held in her resentment and anger and could give an impression of sainthood most days of the week. But now she turned into a Medusa’s head with snakes for hair. My world exploded.

This memory sits there among other memories when other heads have turned so. When years ago, a friend on the phone told me she had a bone to pick with me. I had not heard the expression until that day and the image of a bone stripped of all flesh with just a few sinews left comes to mind. 

We were on the tail end of a friendship that had lasted for years but the politics of our professional association led us down that path, a story too complicated and dull to repeat here, only the memory of those words. ‘A bone to pick’ matched the sensation I experience when someone who matters is angry with me. It is as though they have scooped out my heart and rubbed it all over with a pot scrubber. Scoured its surface to give it a good once over and then put it back with rough edges exposed. 

The episodes I remember are those when a woman has taken me to task. Not the many more times when men have decided I wronged them. And strangely as much as those times, too numerous to tally here, come into my mind they do not match the way a woman’s scorn stings. 

Is this because I grew up in a culture where women did not get angry or if they did something was out of whack? And to have a woman angry with you was to be in immeasurable trouble. 

I worked hard therefore in childhood to keep all the women in my life happy, my mother, my sisters, the nuns. But not anymore. Not now when I experience my own Medusa’s head of rage. When I know the rage that can sit inside me.

You know the expression: ‘You don’t want to get on the wrong side of her’. The implications your life is not worth it if you do. A woman’s anger is scariest of all. Think Julia Gillard in her misogyny speech. But righteous anger goes a long way to becoming enshrined as a fair call. 

What of all those other less than righteous angers, the petty ones that build up inside and grow from all the times we have needed to swallow our hurt or irritation when too much has been asked of us, but we cannot say ‘no’? All those hours caring for small children when we must swallow our annoyances so as not to bruise their delicate hearts. And all the times we must resist letting our partners, typically of the male variety, with whom we’re furious know of our fury because to let them know is to invite a cavalcade of rage from them so great ours pales into nothing. 

Does it go back to motherhood, that we learn as small girls in our mother’s arms? It’s okay for men to be angry about life’s injustices but we women must learn to hold our grievances in. The way I did when I ran to the park to hide my wounds and held them inside because my mother herself had violated that sacred unwritten rule: a mother never gets angry. A mother is always kind and loving and gentle. And if she loses her cool, she keeps it to herself for the sake of those delicate hearts around her. 

A mother personifies sainthood. Only we all know that mothers are human like the rest of us. Mothers get angry too. 

Grief stalks us silently

‘I measure every grief I meet’ Emily Dickinson

 Dark days in the pits of winter. So much of war, and politics and griefs held at a distance to assail us. Assail me. Where to begin, my mother on the front step of the converted chook shed which was her first Australian home, sweeping out the dust of a day. She describes this in a short memoir which Elly Zierke included in an A-four-sized yellow book, Old Ties, New Beginnings: Dutch Women in Australia.

Somehow I lost my copy of this book and had to visit Abe books and spend big money to buy a copy back. I have it now. My mother’s story along with nineteen other Dutch women who migrated to Australia during the mid 1900s for a new life in Australia. 

The standout feature of my mother’s story, sanitised to within an inch of its life, happens when she describes her sadness on seeing Father Ashe travel along the dusty streets of Greensborough on his way to give the elderly Hickling grandmother, a neighbour nearby, Holy Communion.

The good priest did not see my mother wave to him. He did not visit her, and in her writing here and elsewhere, she talks of how lonely she felt, how far away from her loved ones. How much she, who once held a significant place in her community on the Marnixplein in Haarlem, nestled in her Hooij family home, was a someone. Until she travelled to Australia and became a non-entity to all around her. 

A mother with several babies. We her babies, bit players in her life, as children so often feature in the lives of their parents. While parents typically loom large in the lives of their children. Though not for my mother. She never wrote more than one or two lines about her parents. She talked often about her beloved father, but her mother remains a mystery.

Grief stalks us silently. The stab of sorrow through my mother’s heart, her longing for a place she once called her home, as she gazed across the yellow sands of the beach at Mentone to the far away horizon and her idea of home. Her home in Holland, the way it was before she left. 

My mother when she was someone. A woman reading and enjoying her cigarette.

When I was seventeen years old, I travelled with my younger sister to Canberra. We drove with an older sibling – must have driven, for how else could get there? A bus perhaps. Surely not a plane. I took my first plane trip in my twenties when I went to Sydney for another brother’s wedding. 

Surely we went by car, as we always went by car to Canberra. The long flat bitumen up the Hume. The endless paddocks, cows, sheep and horses, the sorrow of those barbed wire fences, the yellow/green tufts of grass, the rusted sheds along the way, the sad houses tucked behind scrabbly gum. The disappointment of the Australian bush until we reached the perfect man-made dimensions of the state capital Canberra and moved into my brother’s rented house at the foot of Mount Ainslie for a week during the school holidays. This brother who had once been in the seminary but changed his mind. No longer intending to become a priest. He chose marriage instead to a dark-haired beauty with the equally beautiful name of Sybilla. 

How I admired her. Her pale skin, her warm smile. The beauty spot to one side of her lush mouth. High cheek bones that spoke to her European ancestors. And a mother who was big and warm and generous. She fed us cakes and egg filled sandwiches till I was fit to burst. This at that torturous age of seventeen when my body was filling out and I was getting tall. Taller than my mother and older sister. So tall, I feared my height might never stop and with it my width. I feared becoming a freak, an invisible freak to all, only illuminated through my vast size.

We drove home from Sybilla’s mother’s house that night, my brother at the wheel, my younger sister and I in the back of his car. I looked out the window onto the sparkling lights of the city. I have never been filled with such longing. Even now I cannot name the sensation beyond that word. A sense that maybe I carried some of my mother’s grief inside. Something of her sense of being a non-entity because it struck me at that moment, even as I knew I belonged within my family, sixth in line and held a place somewhere in my mother’s heart, I did not feel I was loved. As corny as that sounds to me now. As pathetic in its resonance as anything I can imagine, the pain of that moment spread like the drops of rain on the window, like tear filled eyes that blurred the street scape into a grey and black mess punctuated only by the flickering of lights above the street line. 

It is my first measurable grief, attached to no one and nothing. A void of emotion, a well of pain and I cannot attach it to any specific event such that it holds meaning beyond the image of a young girl in adolescence struggling to fit into her body and mind as she stretched into new dimensions of experience.

Isn’t that the thing of adolescence, a roller coaster time where every experience is laced with ennui or inflamed rage, sensitivity to every slight, an intense dislike for anything that breeches the high-minded standards of the day and an intolerance for bigotry of any kind.

I feel this way now in the furore over plagiarism. I cannot join the throng of people decrying John Hughes for what he has done. Misguided as he might have been in not telling his readers ahead of time that he was working in the words of other writers before him. 

If only he had done this, and he would be spared the torture of the moment through which he lives. I cannot join the shrill chorus of accusers who lambast him for his heinous ways.

I have always reserved an edge of something for the wrong doer, except for people like Donald Trump, who to my mind exceeds all excess in his arrogance. 

John Hughes fucked up. Forgive him. Do not write off his every word because he has piggy-backed on the shoulders of those who came before him, as we all do. Only most of us manage to acknowledge most of our sources. And I say most, because I have no doubt I have used another’s words in my own writing and neglected to add their name again because words are like this. They slide into our minds as if our own. Even now Zadie Smith’s words for her character Samad run around in my mind. 

‘Can’t say fairer than that,’ he says often enough, as does his beloved companion Archie. 

‘Can’t say fairer than that.’ As means of exonerating themselves from wrongdoing. A means of entering a state of acquiescence to a life filled with complex contradictions.

My mother had sayings of the same kind. ‘And that was that!’, she ended her stories. An intake of breath, Ah Hah. Not quite as bad as the expression, ‘It’s God’s will’, but close enough. A type of resignation to fate. A way of bypassing the intensity of the pain of every grief people meet throughout their lives. 

‘Can’t say fairer than that.’