Haunted by Photos of the Dead 2

I am haunted by my memory of the picture of my dead baby sister.

As a child I took it to school one day. I had peeled out the photo from the corners of the grey family album. There were two almost identical pictures, side by side. I hoped no one would notice the space left behind.

‘She’s dead,’ I said. I held the photo out to a group of girls in the playground. My grubby fingers had smeared the photo’s shiny surface. The children peered at the image. They wanted to stare at the picture of a dead baby. Not one of them had seen a dead body before, and not one of them had been able to imagine the stillness of the photographic image without life, without breath that I passed around on the asphalt playground that spring morning in 1962 when I was ten years old.

I did not show my teacher. Even at the time I thought there was something wrong in this method of gaining currency, this way of getting attention from my classmates, attention I would not normally receive. I hid it from my sisters and brothers, as well.

I have the photograoh still – my dead sister who bears the same name as my older sister, still living. The dead one has wispy fine black hair. In the photo there are dark shadows underneath her closed eyes. She looks to be asleep.

If this dead sister had lived then none of what happened to my older sister would have happened, or so I imagine. In that sense it would have been different for me too, the third rather than the second daughter. I would not have my mother’s name, the name given to the second daughter and my living sister would not have had her maternal grandmother’s name, the privilege of the first born girl. Everything would have been topsy-turvy. And my mother’s sad story of her ‘lost little angel’ would not be etched in my memory.

It started during the Honger winter of 1945; well after the Germans had invaded Holland and stopped supplies. The people in the cities were starving. My mother had two children by then, a son named after his paternal grandfather, Jan Christiaan and a daughter, named after her maternal grandmother, Gertrudis Maria.

The boy at eighteen months was healthy enough though thin, with a constant cough that bothered my mother but there was little she could do. The girl on the other hand was thin beyond belief. My mother’s milk had dried up along with her menstrual blood. There would be no more babies during this war.

At five months of age, the girl was the size of a newborn, with a head of wavy black hair, black like her mother’s, only finer. You could see through it to the pink of her scalp.

The baby had been listless all day long, my mother told me. She lay in her bassinet staring vacantly above her head, seeming not to notice the green of the trees when my mother took her out for a stroll, not to notice the blue of the sky, or the light from an overhead lamp, or the red of her mother’s lips.

The baby smiled feebly at times when my mother made a great show to rouse her from her lethargy but she could not sustain these smiles for long and then resumed a dull expression, as if something inside had switched off and she had moved over to the other side of life, the other side with the angels.

‘Take her to Heilo,’ the doctor had said to my mother after she told him that a cousin who lived there had asked a neighboring family in possession of a milking cow whether they might help this family from the city with their sickly baby.

The neighbors agreed and my mother traveled the 35 kilometers on foot, pushing her baby in the pram. By then the baby had lapsed into a coma.

The local doctor came in the morning and told my mother that the baby might come out of it and if she did then my mother was to offer a little warm boiled water, nothing more and call for him.

My mother was alone in the house – the children of the house were away at school, and their parents were away at work. My mother sat with her baby from eight in the morning till two in the afternoon, watching her. She had boiled water in readiness and had waited for it to cool. She tested it with the tip of her elbow, eased it in, that sensitive part, then tried it on the inside of her wrist, the place that people choose when life becomes too much and they want to hack their body open and drain out the blood.

The water’s temperature was perfect. My mother filled the bottle to the three quarter mark and waited for her baby to wake from the coma. Her baby stared at the ceiling, not in the direction of the light from the window, but directly up at the ceiling that was marked only by a bare bulb hanging there. Her eyes were fixed.

My mother half dozed, and saw the baby flutter her lashes and then lift her head from the pillow.
‘She recognised me, I’m sure of it,’ my mother told me later. ‘And I thought, oh now she comes out of it. But, no. She slumped back and I knew she was gone’.

My mother lifted her baby from the crib and took her into her arms. On her lap the baby felt light, like a feather pillow, only angular and sharp. She could feel the ridge of her baby’s backbone, the tiny elbows, almost without flesh, almost a skeleton. She knew she was dead but held out false hope in her baby’s last flicker of recognition.

My mother has repeated this detail to me again and again. At the time, that sudden surge of life in her baby’s face almost discounted the possibility of her death. My mother told me that even as she knew her baby was dead, she could not believe it.

She swept up her daughter in her arms and ran next door to her cousin’s house.
Her cousin took one look.

‘The poor little one has gone,’ she said and then urged my mother to sit down while she washed the baby and dressed her in a white christening gown. My dead baby sister wears this gown today day – an infant Miss Haversham in photographic form.

The neighbours’ children came home from school at the end of the day and brought the flowers still visible in the photograph. They spread them around the baby. In the photo these flowers look almost translucent, their whiteness a match to the baby’s pale skin.

The undertaker headed the funeral procession. He walked with the small coffin under his arm. My father and mother followed. They walked slowly through the town of Heilo. There was no traffic and everywhere people stopped, the women with bowed heads. Men took off their caps.

In the church there were white flowers on the altar and a white cloth draped over the coffin. The schoolchildren sang the Mass of the Angels.

My mother cannot remember the burial and did not return home to Haarlem, immediately, though my father went back to the war.

‘I had dysentery,’ my mother said, ‘and had to stay with my cousin and her husband.’ After she had recovered, she walked home, she told me, ‘all the way to Haarlem with an empty pram and an empty place in my heart.’

Life is plotless: Things Happen

Something in Truth and Lies’s latest posting, on Amos Oz’s Rhyming Life and Death has inspired me to include this short story here, to back up my view that life is plotless: I called it ‘Things Happen’. It was published in Island Magazine

Things Happen

My friend invited us to dinner. It was hot. She had left the side doors open to catch the breeze. One of her rabbits hopped through and skittered across the carpet.
‘Don’t worry,’ she said. ‘My rabbits are toilet-trained.’
My friend served wild duck soaked in red wine and garnished with slivers of prosciutto. She had stuffed it with pine nuts and raisins.
Once again she argued with my husband over the meaning of life.
‘How can you say something’s meant to be as if someone’s in charge? Life’s not like that. Things just happen.’ He was glaring at her across the table. Her cheeks were flushed from too much wine.
‘It’s presumptuous to assume it all stops and starts with us,’ she said, sticking the carving knife into the side of her duck and sawing furiously as though the meat were tough. It fell away like crumbling cheese.

That last time I saw my friend I was still bleeding. When I went to the toilet, and saw the pad soaked through to my dress, I realised I must have been dripping through onto her seat cushion. The cushion was coloured a dark burgundy like my dress and the room was lit with candles. I hoped she would not notice.
I had lost the baby three days earlier. The doctor called it the lottery of pregnancy.
‘Not to worry,’ he said. ‘You can try again’. He took me into his surgery to scrape out the left over bits but the bleeding went on.

My friend wrote poetry: long tortured pieces about the mad people she met through her work. She was a doctor, but I could not tell her about the baby or the bleeding that night. I was still picking over my grief.

One evening, months before my miscarriage, my friend came home and found two of her rabbits gone. She lived close to the city but her house was opposite parkland that ran all the way down to the Yarra River. Foxes lived by its banks in a maze of dens hidden among the ti-tree and gums.
My friend offered two of the surviving rabbits to me. She wanted them to breed. They would be safer in our house, away from the river and the park. But we never loved them enough. Not like my friend. We left them outside in the backyard in tight wire cages and their toenails grew long from never being able to dig or run free.

‘The pregnancy took but for some reason the egg and the sperm did not fit properly,’ the doctor had said, pointing to the empty sac on the ultrasound screen. ‘It’s just one of those things.’
I did not tell him how I had named the baby Horatio, after the Roman general who held the bridge. I did not tell him he was a boy. You’re not supposed to know those things, not at ten weeks. But I knew.

The rabbits mated. My friend showed me how to cordon off a section of the cage. When the mother rabbit was about ready to deliver her babies, my friend told me, I would notice her rip out lumps of fur from her body which she would use to line the cage.
‘Then you separate the male from the female. Male rabbits are likely to damage their young.’
There were five babies curled up together like pinky mice, their eyes covered with a thin shield of skin. My friend warned me not to touch the babies for several days, otherwise the mother might refuse to feed them.

Weeks before I miscarried, my friend came to our house for dinner. With each glass of wine her voice grew louder. She loved to argue, especially with men. We joked about the dangers of sitting beside her. She made her point by grabbing the nearest person at the table in a headlock and shaking him till he begged for release. She was strong, my friend, with long pointy fingers weighed down by silver rings.

My friend was born a twin but only she survived the birth. Her brother was born and died thirty minutes later. He became her shadow. She liked to think he was there with her all the time. At work meetings, as a laugh, she would insist on occupying two seats, one for herself, one for her twin.

My friend never had children of her own. She had wanted them, she told me, but they never happened.

In her fiftieth year, five years earlier, my friend had bought a red sports car, sleek, contoured and close to the ground. She drove it with the sun -roof down, her green scarf streaking behind in the wind. An Isadora Duncan scarf. My friend laughed when I told her how, in the 1920s at the height of her dancing career, the scarf on Isadora’s swan-like neck got caught up in the spokes of her car’s wheel and strangled her.

My friend wore glasses, with lenses thick like the bottom of milk bottles.
‘I couldn’t bear to go blind,’ she said, lifting her glasses to rub at her eyes. ‘I’d rather die first.’
At night she sat close to the computer screen composing letters of complaint to the editor, her last surviving rabbit, a barren female, hopping under her feet.
‘Silence is a crime,’ my friend said.

My friend bought tickets for a jazz concert the week after our dinner. ‘You’re sick. Go to bed,’ her husband said.
‘I’m not wasting my money.’ She closed her eyes, threw back her head and soaked in the music.

A bug crawled inside my friend and took over. It traveled along her blood stream letting off a poisonous gas. Within hours of the concert she went into a coma.
‘We need to make an oxygen chamber,’ the doctors said. ‘This bacteria hates oxygen.’ They hacked away at her dead flesh. Peeled off her right shoulder, part of her leg and stomach. My friend’s body swelled like a balloon as it struggled to defend her. The doctors spared her the pain by anesthetic and split her skin from shoulder to wrist to stop the constriction in her fingers and gangrene. Through it all she slept.
‘This hateful bug,’ her husband said, wiping my friend’s face with the back of his hand. ‘We must beat it.’

My bleeding stopped while my friend slept. I found a get-well card in a bookshop, a ‘bug’ card, depicting a green bug sitting up in bed, ill. But I did not buy it. It was too raw. I wrote her a letter instead: ‘What talks we’ll have when all this is over.’

The nurse came and washed my friend’s hair. Only her family could visit. Her husband was certain she enjoyed the water’s warmth, the touch. But the doctors insisted she was now brain dead and could feel nothing.
Without the machine, she breathed only three times a minute. She needed fourteen. She could not speak. She could not eat or shit. She was lonely and in despair, her husband said, but the doctors were certain she could feel nothing.

My friend died in the afternoon when the temperature in Melbourne reached 40.3, the hottest November day for 86 years. They turned off her life support. She did not tell me she was leaving. I did not hear a whisper.

We buried her and held a memorial. Tea and cucumber sandwiches. She would have preferred a glass of red.

Last night I saw my friend in a dream, sitting at her kitchen table, laughing, full bellied roars. She was wearing her green scarf, loosely draped around her neck. She sat, legs akimbo, as always, arms flying to right and left, as she remonstrated with us about the meaning of life, then grabbed hold of the nearest person at the table and pulled him to the ground.
‘Submit,’ she said. ‘On the count of five, I win.’