Telling and not telling

‘We resurrect the dead in our dreams.’ Siri Hustvedt

The only time I see my parents now is in my dreams, in photographs and my memories.

My dreams, the clearest depiction when they come alive, and in them we have conversations. Reading Siri Hustvedt’s book Ghost Stories, a story of grief on the death of her husband Paul Auster in 2024, I’m struck by her passion for this man, within the context of a long and fulfilling marriage, despite the tragedy of drug addicted Daniel, Auster’s son who killed himself soon after the death of his eight-month-old daughter Ruby, for which he was held responsible. 

Hustvedt details this tragedy, the year before Auster was diagnosed with lung cancer as a possible determinant in the onset of the disease. The doctors, she writes, are interested to know his genomic history and the fact that he smoked, but they did not once reflect on the extent to which this tragedy, losing his granddaughter and son in such a short space of time, could derail a mind and body such Auster is unlikely to have been the same ever again. 

Stress, Hustvedt reminds us, can lead to bodily changes, which the medical establishment with its heavy emphasis on the mechanics of bodily health and disease the quantitation of blood and hormone levels fails to factor in.

This book, like all diaries, as Hustvedt describes, is a ‘geography of telling and not telling.’ Isn’t this true of all lives?

Yesterday, I met with an old friend. We extend across four decades with long periods in between where we have scarcely seen one another. Linked in large part by mutual friends, one of whom has since died. His wife, now in her mid to late nineties is losing her memory. My friend and I tried to piece together the time in between, when she spent a good deal of time with this friend and placed that memory against earlier times when this woman was like a substitute grandmother to my children.

When this older friend and I travelled every Tuesday to an event held at the Athenaeum Library in the city, for The Tuesday writers. A group of people stemming from my days at the Council of Adult Education with whom I completed a diploma of Professional Writing and Editing. 

Some from my class did not want our novel writing class to end so we formed the Tuesday writers. I left this group ahead of my friend to care for my grandchildren which I’ve done these past 18 years. The Tuesday Writers might still exist but given my Tuesdays are never free now, and I no longer know anyone in the group I cannot say.  But something is stirring inside. How can I chase them up? How can I reconnect?

They, too, are like ghosts in my memory. So many people and their names fading much like the ghosts of a lifetime.

And the conversation with my contemporary friend was studded with gaps but I gave her a copy of my memoir The Museum of Failure assuring her there were people she might recognise despite the pseudonyms.

I did not tell her that the person who was most instrumental in my failure was a woman who was most significant in my friend’s life as her analyst.

There is something about keeping the identity of other people’s therapists safe and sacred for the sake of the person’s therapy or analysis that is deeply ingrained in me.

We don’t want to badmouth other people’s heroes.

It would be like telling you things about your parents you do not want to hear. Things about your parents that might re-shape their view of those parents after death. The ghosts will morph into something horrendous relative to the idealised views they hold in their hearts. But I want to tell my friend about her analyst now dead. About her strange ways that were hard on me. And other secrets I know, but secrets are like this. You hold them close for fear of the damage they might do. Her secrets, my secrets.

A geography of telling and not telling. 

Paul Auster began writing letters to his grandson Myles, born four months before the writer died. Such compelling letters as Hustvedt details in her story. She also includes some letters she wrote to her friends during her husband’s illness. She wanted them to know. He wanted them to know what was going on following Auster’s cancer diagnosis. To keep them in the loop. 

It reminds me of the messages I sent to my siblings during our mother’s last days when she was in the Dandenong Hospital dying. 

We did not realise this until she was described as palliative. For much of these last three weeks of my mother’s life, my sister and I operated as though we would need to find her higher-level care given the retirement village where she lived for the past decade did not offer this. 

My mother died in the Bethlehem hospice, which seems apt given this hospice which is no longer trading under that name was in earlier incarnations a maternity hospital where my husband was born. 

He likes to joke, like Jesus, he was born in Bethlehem. Born in Bethlehem and baptised in St Patrick’s Cathedral. You can’t get more high ranking than this within the Catholic hierarchy of Melbourne, but he does not submit to these hierarchies anymore.

My mother did. She believed in miracles with all her heart, which brings me to another of Hustvedt’s observations when talking about the roller coaster of the story of her husband’s life, his final months after being diagnosed with lung cancer. 

‘There is an important distinction between optimism and hope. The optimist’s tendency to cheer every piece of good news and predict a good outcome is understandable but creates emotional swings that at least for those who love the patient are unsustainable. Hope on the other hand is necessary for living on. In my case a stringent reality principle with hope allows me to be a better companion as this story moves ahead.

The number of times my mother told her children a miracle had occurred, and our father had agreed to stop drinking is remarkable in its frequency. This alone put me off the idea of miracles. And the day my analyst told me there is a fine line between optimism and denial stays with me. Such a fine line. Better to stick with the idea of hope. That things as Emily Dickinson writes like hope with feathers. It can fly. Despair cannot.

But miracles belong with the ghosts of our pasts and presents, ghosts that help us maintain our connections to those long gone, but they cannot be rematerialised except in our Imaginations.

And like Hustvedt pining for her beloved Paul we must learn to grieve our losses rather than image they will one day be resurrected that way of Jesus. We all must die. But while we live we hold onto the hope of finding meaning in our lives and connections such we might never need resort to miracles if religion or otherwise. 

They can lead us into false hope, and denial which ill prepares us for those final days. Auter said he hoped to die telling a joke. Philip Adams talks about wanting to be awake when he dies. From my limited understanding of death when it comes, it’s unlikely to go the way of movies with a person uttering their final word. My mother reported that our father’s final words were along the lines of ‘St Francis was a wonderful saint.’ 

Somehow I find this hard to believe. Perhaps she thought it. Perhaps she wanted it. My father reformed from alcoholism into the church of heaven. Another miracle, or so my mother believed. I suspect he died in silence. His last breath no more. 

Fluent in silence

‘So, if you are too tired, sit next to me, for I too, am fluent in silence.’ R Arnold.

In my nineteenth year there came a day when I walked alone through the city surrounded by people. The peak hour homeward rush and every person hell bent on a destination, be it tram stop or Flinders Street station. They brushed past me with one intention alone, to leave this place. 

I did not want to leave. Not yet. In every face I imagined the round-faced sweetness of the man I had come to regard as my one true love. He had disappeared from our workplace that afternoon before my shift ended without a goodbye. 

Why leave me in limbo? Why leave me waiting, hankering, caught in the not knowing when I might see him again.

Over a decade later, the first time I met Mrs Milanova, I did not tell her about this episode in the city when I thought my heart might break with longing for this man who re-materialised sometime later but not before the damage was done. 

I did not tell her of a time when I was small, but not so small I could not remember. The house was filled with visitors. My mother’s family from the Netherlands.

The house suffused with the smell of cigarettes and port wine glasses passed around. Coffee and cake. Smoked oysters from oily tin cans, on round crackers and my mother in her element. 

I had watched her prepare earlier. Saw the pleasure she found in visits from her loved ones. But we younger children were ushered off to bed without so much as a good night cuddle.

Did I call out to her when I heard her footsteps pad past my room?  Not sure. But after a while, long enough for my younger sisters to drop into sleep, my mother pushed through my door.

I asked if I, too, might have a cup of tea like all her guests. She was busy, she said, but would bring me one in a minute.

The minute never came. It went beyond several minutes and I fell asleep waiting.

Early in 1986 when I met Mrs Milanova for the first time and offered her a potted version of my life up to my thirty-third year, she did not blink. It was only when I told her I was thinking of having an analysis and could wait till she had space that she questioned me. Should I really wait?

Her use of the word ‘wait’ and memories flooded in. 

My sister and I at the East Camberwell railway station waiting as train after train arrived empty of our mother. Desperate for her to return from her work. Our bare legs in shorts sticking to the hot green paint of the slatted platform seats.

Life in our house without our mother in the company of our drunk and unpredictable father was unbearable.

Waiting for the face of my beloved boyfriend to materialise in the crowd. Waiting, the unbearable state of being when you cannot see that something you hope for will happen.

In all likelihood it might not, but still you hope.

I usher in my mantra. ‘Something good will happen.’ Knowing well one day good things will stop happening, for me at least, even as so many good things are punctuated these days by the not so good and the downright bad. 

We all need to find ways of coping. My way to cope with waiting has been to fill the waiting time with a useful activity. A distraction. 

When Mrs Milanova questioned my capacity to wait, and all my tears, she was right. I should not wait.

Such an odd expression. I cannot wait. Even when we know we must. I cannot wait for the next good thing. 

When I was a young person I imagined good things would happen in my life such that eventually, before I died, everything would be put right.

Such a self-satisfied notion, as if all good things congeal around me. 

I have been through enough political cycles now to see the ebb and flow. The way we move a few steps forward towards greater equality and bat off oppression, then slide into the cruelty of our unequal world where the rich get richer and the poor poorer.

When the revolution?

When the change of heart. And all the time the waiting. I have yet to find the silence Arnold describes. Even as I say I, too, know about the longing for it.

As I sat beside my dying brothers-in-law in recent years and watched their faces slowly shift out of this life and into wherever they might have gone, into death, I began to think about the peace of passing. Even as neither man passed so peacefully, there came a time when it was over. And we, their family sat around these two who were dying, a decade apart, and felt the ache of longing their mother might have felt had she herself not left this earth decades earlier.

When someone dies, we latch onto our own, especially when we get past an age where youth is no longer on our side.

After my mother died I saw instantly that I, along with my siblings, was next in line. And when my own brother died, I could not feel as much as I felt when I was ten years old, and he left home for the first time and a couple of decades later when he moved with his young family to another state far away.

I grieved then in a way I could not grieve at his funeral, distanced from the pain his own children felt. Distanced from the pain I imagined I might have felt when one of my siblings died.

Death is final. The waiting is over. But the waiting. It has no finality. It goes on and on and on.

And in this moment, while I am waiting for a good outcome to a painful situation that in itself seems interminable, I can find no way of settling my troubled mind. 

I am back in my small bed waiting for my mother to bring me a sweet and milky cup of tea so that I might feel remembered and less alone.

I am stalking the streets of the city searching for his face, the round glow around his bright eyes that might light up at the sight of me as mine would light up at his.

In this waiting I do not find the comfort of silence but the ache of a heart that’s breaking. And the words of a song rattle through my brain: The Proclaimers: 

My heart was broken. But the singers at least have the benefit of past tense while for me the heart break repeats again and again with every new disappointment, every new disappearance, every new failed hope. 

Every step closer to death.